지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
오류제보하기
This paper analyses war memories in Okinawan literature, focusing on the two stories “Guard” (Ikezawa, S?, 1954) and “Cocktail Party” (?shiro, Tatsuhiro, 1967). War and genocide in East Asian countries during colonial conflict and the Cold War era need to be considered from the context of structural violence. However, the depth of the resentment is often too private and fragmented to be elucidated within this structure and must be understood in parallel with a deeper comprehension of the essentials of violence. The abyss of resentment is a place where memories of both the ‘self’ and the ‘other’ are entangled. The chains of resentment can only be disentangled when memories of the ‘self’ and the ‘other’ function together.
“Guard” and “Cocktail Party” tell of Okinawans’ journey to the abyss of their resentment through which they eventually meet those whom they harmed in the past. While “Guard” puts higher regard on guards action of killing civilians over that of’ hero’s’ slaughtering Chinese in southern China during the Second World War, The “Cocktail Party” links the rape of the hero’s daughter committed by an American soldier with the rape of Chinese women by Japanese soldiers during the Sino-Japanese war and implicates the hero (an Okinawan) as being part of the crime. However, the grueling journey in which the hero as a victim looks for the ‘other’ on whom he has committed violence comes to an indeterminate end. The incompleteness exposes the paradox of these stories because while the journeys they relate are destined to be completed by encountering the ‘other’, they end at the moment the fragments of memory between the ‘self’ and the ‘other’ are about to be united. Ultimately, the paradox is the starting point in unraveling the chain of resentment and opening a path mutual alliance.
“Guard” and “Cocktail Party” tell of Okinawans’ journey to the abyss of their resentment through which they eventually meet those whom they harmed in the past. While “Guard” puts higher regard on guards action of killing civilians over that of’ hero’s’ slaughtering Chinese in southern China during the Second World War, The “Cocktail Party” links the rape of the hero’s daughter committed by an American soldier with the rape of Chinese women by Japanese soldiers during the Sino-Japanese war and implicates the hero (an Okinawan) as being part of the crime. However, the grueling journey in which the hero as a victim looks for the ‘other’ on whom he has committed violence comes to an indeterminate end. The incompleteness exposes the paradox of these stories because while the journeys they relate are destined to be completed by encountering the ‘other’, they end at the moment the fragments of memory between the ‘self’ and the ‘other’ are about to be united. Ultimately, the paradox is the starting point in unraveling the chain of resentment and opening a path mutual alliance.
목차
1. 원한의 사슬
2. 오키나와 문학의 발견
3. 연대―마지막 퍼즐 찾기
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Abstract
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UCI(KEPA) : I410-ECN-0101-2014-900-002558241