지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.4
- 수록면
- 23 - 34 (12page)
이용수
초록· 키워드
오류제보하기
After the modern age, the rapid urbanizationhad a big impact on the then architecture. R. Venturi and A. Rossi are two of the leading architects, developing architecture in cities in the US and Europe respectively. This study shed light on a tangible and intangible meaning and interpretation of urban landscapes through their architectural thoughts and architectures.
The followings are the physical and intangible meaning and interpretation in architectural thoughts and works of those two architects.
Venturi understood that iconological landscapes at the roadside in large citiesare the nature of physical -landscapes. To Venturi, the facades of buildings at the roadside are a part of signage such as traffic lights and road signs, and those facades have the meaning of symbolic systems beyond simple physical landscapes. To A. Rossi, types of buildings as physical townscapes are a key role supporting raw data of classification in architecture. And also, those types have significance of the basic data shedding light on the principles and history of cities.
For intangible factors in R. Venturi"s architecture, daily routine, function and use, time, a use for a building and others form complex architecture. And also, those factors describe shared values of the same period as the facades of buildings and complex symbols and formative lexicons in metaphorical terms. For A. Rossi"s intangible factors, "collective memory" is buried in inhabitants of the city, and with that, the city is a place for memory to its inhabitants. What is more, cities" monuments have intangible landscapes like "sustainability", "permanence" and so on. With lots of events happening throughoutcities, those monuments are the whole images of cities giving the value to the urban buildings that reside in cities.
Finally, R. Venturi"s all-encompassing complex architecture concept was extended on a tangible and intangible point of townscapes. It was found that A. Rossi"s tangible thought was formed from the whole landscape of historic cities in then Italy as the background of time and place. Also, With types of urban buildings and "collective memory", A. Rossi drew architectural norms and formats of unchangeable types.
The followings are the physical and intangible meaning and interpretation in architectural thoughts and works of those two architects.
Venturi understood that iconological landscapes at the roadside in large citiesare the nature of physical -landscapes. To Venturi, the facades of buildings at the roadside are a part of signage such as traffic lights and road signs, and those facades have the meaning of symbolic systems beyond simple physical landscapes. To A. Rossi, types of buildings as physical townscapes are a key role supporting raw data of classification in architecture. And also, those types have significance of the basic data shedding light on the principles and history of cities.
For intangible factors in R. Venturi"s architecture, daily routine, function and use, time, a use for a building and others form complex architecture. And also, those factors describe shared values of the same period as the facades of buildings and complex symbols and formative lexicons in metaphorical terms. For A. Rossi"s intangible factors, "collective memory" is buried in inhabitants of the city, and with that, the city is a place for memory to its inhabitants. What is more, cities" monuments have intangible landscapes like "sustainability", "permanence" and so on. With lots of events happening throughoutcities, those monuments are the whole images of cities giving the value to the urban buildings that reside in cities.
Finally, R. Venturi"s all-encompassing complex architecture concept was extended on a tangible and intangible point of townscapes. It was found that A. Rossi"s tangible thought was formed from the whole landscape of historic cities in then Italy as the background of time and place. Also, With types of urban buildings and "collective memory", A. Rossi drew architectural norms and formats of unchangeable types.
목차
Abstract
1. 서론
2. 근대 이후 도시 경관의 의미
3. 벤투리와 로시의 도시 경관의 해석
4. 결론
참고문헌
참고문헌 (22)
참고문헌 신청
1. [기타자료] - Arnell, Peter / 1985 / Buildings and Projects
2. [기타자료] - Bandini, Micha / 1985 / Topology as a Form of Convention, AAfile 6 / The Architectural Association
3. [단행본] - Colquhoun, Alan / 1969 / Typology and Design Method, In and Building / Basic Books, Inc. Publishers
4. [단행본] - Vidler, Anthony / 1988 / The Third Typology / Princeton Press
5. [단행본] - Hays, K. Michael / 2005 / 1968년 이후의 건축이론 / 시공문화사
2. [기타자료] - Bandini, Micha / 1985 / Topology as a Form of Convention, AAfile 6 / The Architectural Association
3. [단행본] - Colquhoun, Alan / 1969 / Typology and Design Method, In and Building / Basic Books, Inc. Publishers
4. [단행본] - Vidler, Anthony / 1988 / The Third Typology / Princeton Press
5. [단행본] - Hays, K. Michael / 2005 / 1968년 이후의 건축이론 / 시공문화사
이 논문의 저자 정보
이 논문과 함께 이용한 논문
공간이 주는 기억의 재생 : 건축학 개론을 중심으로
강익모
한국엔터테인먼트산업학회논문지
2012
.09
공간구문론을 이용한 프랭크 게리 뮤지엄 설계의 공간구조에 관한 연구
배이진
,
조자연
한국실내디자인학회 논문집
2011
.10
지역아동센터를 이용하는 초등학생의 스트레스, 스트레스 대처행동 및 건강상태
박정원
,
정유희
스트레스硏究
2012
.12
벤투리의 초기 이론과 작품에 나타난 맥락적 사고에 관한 연구
박형진
,
김자경
한국실내디자인학회 논문집
2009
.10
알바 알토 도서관 건축의 자연광 사용 특성에 관한 연구
정태용
한국실내디자인학회 논문집
2011
.10
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-610-002592791