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논문 기본 정보

자료유형
학술저널
저자정보
박소라 (인하공업전문대학) 이영수 (홍익대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제21권 제5호
발행연도
2012.10
수록면
114 - 121 (8page)

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초록· 키워드

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Gilles Deleuze is a philosopher who replaces the world of representation defined as supremacy of identity with the contemporary reason of non-representation in the history of western philosophy that wants to transcend Plato. Deleuze developed his own philosophical concept through philosophical reason and encounter with arts, for which reason he exerted a great influence on artists and architects in diverse fields. Particularly, "Logic of Sensation" published in 1981 considers the non-representation painting approach through Francis Bacon"s painting theory defined as "invisible force"s visibility". And it is considered that SANAA"s architecture among many contemporary architects accepted the essence of Deleuze"s philosophy and continuously reflects it on projects. Hence, objective of the present study is to consider how the non-representation constituting a root for Deleuze"s reason has been indicated in paintings and architecture through examining the works by Bacon and SANAA. First, a theoretical consideration will be directed to non-representation, followed by an analysis of Bacon"s painting works and SANAA"s architecture projects from the viewpoints of the force of isolation, the force of transformation, the force of dissipation and the force of time dealt with by Deleuze in "Logic of Sensation". Finally, through such analysis, the characteristics of Deleuze"s non-representation indicated in architecture and paintings will be derived.

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Abstract
1. 서론
2. 비재현성에 대한 이론적 고찰
3. 힘의 포착으로서의 비재현적 접근방법
4. 결론
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UCI(KEPA) : I410-ECN-0101-2014-610-002592004