지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.4
- 수록면
- 119 - 141 (23page)
이용수
초록· 키워드
오류제보하기
This paper analyzes sexual politics in Mamet’s play, Speed-the-Plow. Karen wields a subversive strategy to challenge the power structure between men and women which is established as the ruler/the ruled. If we analyze the play according to Jacques Lacan’ concept of ‘subject supposed to know,’ Karen causes the transference of love toward Gould, whose role is analyst. A counter-transference takes place in relation to Gould, who has missed connection and love. Through the counter-transference, Gould’s power is subverted and the ‘subject supposed to know’ thereby is transferred from Gould to Karen. When feigned love is revealed, however, the power structure is reversed again. At this point, the ‘subject supposed to know’ turns out to be not the ‘subject to know.’ The subject is based not on reality, but on fantasy of knowledge. The endless slippage of signifiers for the subject allows stable meanings to dissolve.
Karen uses a confusion strategy to subvert the dualistic view that labels women as either angels or whores. Showing a lack of ambition, she has sex with Gould just to gain power. Gould wants to achieve jouissance by believing in her and having sex, thus transferring all his power to her. But when she suddenly confesses the truth about her hidden motive behind sex, her power is transferred back to Gould again. She gives up power at the end, which makes her enigmatic. It is concluded that she succeeds in creating disruption in the dualistic view on women within male-dominated culture.
Karen uses a confusion strategy to subvert the dualistic view that labels women as either angels or whores. Showing a lack of ambition, she has sex with Gould just to gain power. Gould wants to achieve jouissance by believing in her and having sex, thus transferring all his power to her. But when she suddenly confesses the truth about her hidden motive behind sex, her power is transferred back to Gould again. She gives up power at the end, which makes her enigmatic. It is concluded that she succeeds in creating disruption in the dualistic view on women within male-dominated culture.
목차
I. 들어가며
II. 정치적 뒤집기 전략: 전이와 역전이
III. 굴드의 오브제 아(petit objet a)와 주이상스
IV. 나가며
인용문헌
Abstract
참고문헌 (14)
참고문헌 신청
1. [학술지(정기간행물)] - 윤소영 / 2005 / 권력의 이데올로기와 그 전복: Oleanna / 현대영미드라마 18 (2) : 161 ~ 187
2. [학술지(정기간행물)] - 이형식 / 2011 / 섹스, 거짓말, 그리고 교육: Oleanna와 Doubt / 현대영미드라마 24 (2) : 219 ~ 244
3. [학술지(정기간행물)] - 정문영 / 2009 / 핀터의 도난당한 정치성과 성정치성: 『생일파티』 / 현대영미드라마 22 (2) : 71 ~ 100
4. [단행본] - 김서영 / 2006 / 라캉 읽기 / 은행나무
5. [학술지(정기간행물)] - Felman, Shoshana / 1982 / Psychoanalysis and Education: Teaching Terminable and Interminable. The Pedagogical Imperative: Teaching as Literary Genre / Yale French Studies 63 : 21 ~ 44
2. [학술지(정기간행물)] - 이형식 / 2011 / 섹스, 거짓말, 그리고 교육: Oleanna와 Doubt / 현대영미드라마 24 (2) : 219 ~ 244
3. [학술지(정기간행물)] - 정문영 / 2009 / 핀터의 도난당한 정치성과 성정치성: 『생일파티』 / 현대영미드라마 22 (2) : 71 ~ 100
4. [단행본] - 김서영 / 2006 / 라캉 읽기 / 은행나무
5. [학술지(정기간행물)] - Felman, Shoshana / 1982 / Psychoanalysis and Education: Teaching Terminable and Interminable. The Pedagogical Imperative: Teaching as Literary Genre / Yale French Studies 63 : 21 ~ 44
이 논문의 저자 정보
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-840-003606585