지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The primary purpose of this article is to investigate the modes of rhythm through an analysis of the sonority in Kim Young-Rang"s Poetry. The sonority means the degree and quality of being resonant, which is caused by the change of cavity in a vocal cords. The analysis of a sonority hierarchy is the index of rhythm in his poetry, for the aesthetical characteristics in his poetry are dependent on the degree of being resonant.
The conclusion which can be drawn from this study are these: (1) Young-Rang consciously used voiced sounds which is having high-level sonority in consonants for musical effects. (2) As he knew, the degree of sonority depends on a position of voiced sounds, generally an initial sound is stronger than a final consonant. (3) Specially, voiced sounds ‘ㄴ,ㄹ,ㅁ,ㅇ’ have strong effects on the timbre and quality of sounds in his poetry. And (4) From his early poetry to middle poetry, voiced sounds ‘ㄹ,ㅁ’ are gradually decreasing. This means that he intensively arranged specific consonants to improve musical effects in his poetry.
Proceeding from what has been said above, it should be concluded that the aesthetical characteristics in his poetry are based on the timbre and quality of sounds, specially on the sonority of voiced sounds in consonants.
The conclusion which can be drawn from this study are these: (1) Young-Rang consciously used voiced sounds which is having high-level sonority in consonants for musical effects. (2) As he knew, the degree of sonority depends on a position of voiced sounds, generally an initial sound is stronger than a final consonant. (3) Specially, voiced sounds ‘ㄴ,ㄹ,ㅁ,ㅇ’ have strong effects on the timbre and quality of sounds in his poetry. And (4) From his early poetry to middle poetry, voiced sounds ‘ㄹ,ㅁ’ are gradually decreasing. This means that he intensively arranged specific consonants to improve musical effects in his poetry.
Proceeding from what has been said above, it should be concluded that the aesthetical characteristics in his poetry are based on the timbre and quality of sounds, specially on the sonority of voiced sounds in consonants.
목차
1. 서론
2. 공명도(共鳴度, sonority) 분석의 의의
3. 초기 시의 공명도 분석 1 : 4행시의 경우
4. 초기 시의 공명도 분석 2 : 기타의 경우
5. 중기 시의 공명도 분석
6. 결론
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UCI(KEPA) : I410-ECN-0101-2014-800-003642669