지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The purpose of this study revealed about the principles of the metamorphosis that mediate the conduction of reality and unreality through the cinematic visuality of the metamorphosis-motif films and what they means to connected with the context of subject of the films.
The principles of the cinematic visuality are ‘virtual-realization’ and ‘real-virtualization’ ability. By these abilities of cinematic visuality, spectators could be accepted the illusion of the virtual world or the world of imagination through the virtual realized images of the film that imported from the real world or from wherever go into the realm of the unknown.
Probably some film genres as same as mostly fantasy or sci-fi movies were seemed to maximize these abilities for themselves.
Especially, the metamorphosis-motif film show the human who are transforming himself in the film in order to survive and overcome or to raise issues or human way of existence for itself from a situation of force major in the way of life of the human narrative text that be applied to humans as unreality form. And then, metamorphosis changes The presence of the subject, saying that any other beings exist through drastic changes that the transformation by changing to the audience to recognize the world transforms.
Than the visuality of the metamorphosis-motif film, real life or go across to the unreality of the world, or to bring into the reality of life, reality and unreality is conduction. These conduction through the encounter with the mental and physical vulnerability of people today helpless and fragile. Astute deputy for their desire to adapt to the rapid changes and creating a model, transformed by his drastic changes to the environment of modern society, modern people face to be the same as it imagines.
Triggered by the absence of a contemporary desire As you fill all possibilities open to humanity, and presented a picture of the current or future, but today the significance of the visuality of the metamorphosismotif-transformation of artifacts and on the other hand, imperfect human personality and only ability is drawn into a grotesque fable uneasy dystopian future, by the end of the world is discussed.
The principles of the cinematic visuality are ‘virtual-realization’ and ‘real-virtualization’ ability. By these abilities of cinematic visuality, spectators could be accepted the illusion of the virtual world or the world of imagination through the virtual realized images of the film that imported from the real world or from wherever go into the realm of the unknown.
Probably some film genres as same as mostly fantasy or sci-fi movies were seemed to maximize these abilities for themselves.
Especially, the metamorphosis-motif film show the human who are transforming himself in the film in order to survive and overcome or to raise issues or human way of existence for itself from a situation of force major in the way of life of the human narrative text that be applied to humans as unreality form. And then, metamorphosis changes The presence of the subject, saying that any other beings exist through drastic changes that the transformation by changing to the audience to recognize the world transforms.
Than the visuality of the metamorphosis-motif film, real life or go across to the unreality of the world, or to bring into the reality of life, reality and unreality is conduction. These conduction through the encounter with the mental and physical vulnerability of people today helpless and fragile. Astute deputy for their desire to adapt to the rapid changes and creating a model, transformed by his drastic changes to the environment of modern society, modern people face to be the same as it imagines.
Triggered by the absence of a contemporary desire As you fill all possibilities open to humanity, and presented a picture of the current or future, but today the significance of the visuality of the metamorphosismotif-transformation of artifacts and on the other hand, imperfect human personality and only ability is drawn into a grotesque fable uneasy dystopian future, by the end of the world is discussed.
목차
1. 서론
2. 영화의 시각성
3. 변신의 시각성
4. 변신의 분류와 유형별 상징성
5. 변신 : 현실과 비현실의 매개자
6. 결론
참고문헌
Abstract
참고문헌 (1)
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UCI(KEPA) : I410-ECN-0101-2014-688-002349654