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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.2
- 수록면
- 47 - 74 (28page)
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초록· 키워드
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The political-cultural doctrine of socialist realism was approved by the Communist Party of the Soviet Union and incorporated into the official policy of the Soviet government in 1934 after the completion of the First Congress of Soviet Writers. It established the methodological and aesthetic parameters which should guide all artistic production within the Soviet Union. Thereafter, any possibility of relative independence of culture and art in relation to official policy was severely questioned. This subordination position occurred at a time when the Third International began to abandon the class against class tactic in order to turn to the formation of popular fronts, thus generating significant effects in the process of building a proletarian culture.
The aim of this study is to investigate the impact of this relationship between cultural policy and politics itself, as evidenced by the connection between socialist realism and a political shift in the type of cultural projects carried out inside the Communist Party of Argentina (PCA) for the proletariat of their country by the middle of the 1930s. To this end, we analyze how PCA assumed that culture could be converted from being a tool of class war into a tool for democratic freedom in the struggle against reactionary authoritarianism.
The aim of this study is to investigate the impact of this relationship between cultural policy and politics itself, as evidenced by the connection between socialist realism and a political shift in the type of cultural projects carried out inside the Communist Party of Argentina (PCA) for the proletariat of their country by the middle of the 1930s. To this end, we analyze how PCA assumed that culture could be converted from being a tool of class war into a tool for democratic freedom in the struggle against reactionary authoritarianism.
목차
ABSTRACT
INTRODUCCION
LA IDEOLOGIA MARXISTA Y LOS USOS DEL TIEMPO HISTORICO EN LA CONSTRUCCION DE UNA “TELEOLOGIA CIENTIFICA”
LA INTELLIGENTSIA SOVIETICA SE TRANSFORMA : EL PRIMER CONGRESO DE ESCRITORES SOVIETICOS EN LA CONFIGURACION DEL REALISMO SOCIALISTA
LA ESTRATEGIA DE FRENTE POPULAR Y SU REPERCUSION EN LA POLITICA CULTURAL DEL PCA
CONSIDERACIONES FINALES
REFERENCIAS
참고문헌 (53)
참고문헌 신청
1. [단행본] - AAVV / 1964 / Historia del Partido Comunista de la Unión Soviética, Segunda edición aumentada / Fundamentos
2. [단행본] - Adamovsky, Ezequiel / 2009 / Historia de la clase media argentina / Sudamericana
3. [단행본] - Adorno, Theodor / 1973 / Sobre sujeto y objeto, In Consignas / Amorrortu : 143 ~ 180
4. [단행본] - Alba, Víctor / / América Latina y los congresos del Partido Comunista ruso / Instituto Internacional de Estudios Político-Sociales
5. [단행본] - Alba, Víctor / 1959 / Historia del Frente Popular (Análisis de una táctica política) / Libro Mex Editores
2. [단행본] - Adamovsky, Ezequiel / 2009 / Historia de la clase media argentina / Sudamericana
3. [단행본] - Adorno, Theodor / 1973 / Sobre sujeto y objeto, In Consignas / Amorrortu : 143 ~ 180
4. [단행본] - Alba, Víctor / / América Latina y los congresos del Partido Comunista ruso / Instituto Internacional de Estudios Político-Sociales
5. [단행본] - Alba, Víctor / 1959 / Historia del Frente Popular (Análisis de una táctica política) / Libro Mex Editores
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