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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.2
- 수록면
- 25 - 44 (20page)
이용수
초록· 키워드
오류제보하기
As a literary journal published annually in Kenya, kwani? is distinct in its format and content from other journals. Away from the standardized frame of other literary journals, this journal runs various works in different genres to help readers experience novelty and creative artistry. Moreover, in terms of content, it deals with political and social issues facing the Kenyan society as well as authors" individual agonies. By doing so, kwani? serves as an alternative and a tool for Kenyan people who are weary of various problems facing them in reality but cannot find a way to make their voices heard.
This literary group uses sheng as a way to achieve this. The young express their own culture by altering the language of the majority and furthermore actively spread their ideas through a tool of literary journal. In the process, they create their own culture for a new and creative future by destroying the existing literary format and introducing new one. In this respect, such an effort of the young Kenyans may be considered political as it represents the voices of the political, ethnic (tribal), social and cultural minorities. And kwani? shows and supports their efforts. It accords with the deterritorialization of language, political nature, and collective assemblages of locutionary acts asserted in a minor literature. In this paper, kwani? that attempts to subvert format and order is defined as a minor literature claimed by Deleuze and Guattari.
This literary group uses sheng as a way to achieve this. The young express their own culture by altering the language of the majority and furthermore actively spread their ideas through a tool of literary journal. In the process, they create their own culture for a new and creative future by destroying the existing literary format and introducing new one. In this respect, such an effort of the young Kenyans may be considered political as it represents the voices of the political, ethnic (tribal), social and cultural minorities. And kwani? shows and supports their efforts. It accords with the deterritorialization of language, political nature, and collective assemblages of locutionary acts asserted in a minor literature. In this paper, kwani? that attempts to subvert format and order is defined as a minor literature claimed by Deleuze and Guattari.
목차
1. 들어가는 말
2. 소수문학이란?
3. kwani?의 발생 배경 및 특징
4. kwani?의 소수문학적 특징
5. 결론
참고문헌
Abstract
참고문헌 (33)
참고문헌 신청
1. [단행본] - 문성환 / 2002 / 들뢰즈와 문학-기계 / 소명출판
2. [학술지(정기간행물)] - 권명식 / 1986 / 케냐의 언어상황 / 한국아프리카학회지 1 : 223 ~ 237
3. [단행본] - 로널드 보그 / 2006 / 들뢰즈와 문학 / 東文選
4. [학술지(정기간행물)] - 변광배 / 2003 / 장 주네의 『하녀들』에 나타난소수문학적 특징 / 불어불문학연구 (56) : 217 ~ 249
5. [학술지(정기간행물)] - 서동욱 / 2008 / 들뢰즈의 문학론은 일관성을 가지고 있는가? －프루스트론과 카프카론을 중심으로－ / 철학과 현상학 연구 (38) : 101 ~ 124
2. [학술지(정기간행물)] - 권명식 / 1986 / 케냐의 언어상황 / 한국아프리카학회지 1 : 223 ~ 237
3. [단행본] - 로널드 보그 / 2006 / 들뢰즈와 문학 / 東文選
4. [학술지(정기간행물)] - 변광배 / 2003 / 장 주네의 『하녀들』에 나타난소수문학적 특징 / 불어불문학연구 (56) : 217 ~ 249
5. [학술지(정기간행물)] - 서동욱 / 2008 / 들뢰즈의 문학론은 일관성을 가지고 있는가? －프루스트론과 카프카론을 중심으로－ / 철학과 현상학 연구 (38) : 101 ~ 124
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UCI(KEPA) : I410-ECN-0101-2014-300-002358881