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논문 기본 정보

자료유형
학술저널
저자정보
정무정 (덕성여자대학교)
저널정보
서양미술사학회 서양미술사학회논문집 서양미술사학회 논문집 제38집
발행연도
2013.2
수록면
165 - 186 (22page)

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초록· 키워드

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Right after the April revolution in 1960, the efforts to erect monuments to the victims of the revolution were mainly led by such organizations as the April Revolution Student Commission and the Association of the April Revolution Bereaved, and such newspaper publishing companies as Dong-A Ilbo and Kyunghyang Shinmun. After the May 16 military coup in 1961, however, the headquarters of the national reconstruction movement took the initiative in commissioning public monuments. The headquarters, which tried to carry out a reform of the national spirit, took it as an opportunity to secure the legitimacy of the illegal military coup. In doing so, it appropriated the visual idioms such as sturdiness of male nude figures and ideological themes such as warrior and comradeship during the Third Reich, which supported a new type of sculpture embodying the ideology of National Socialism. It is not surprising, thus, that <Guardian>, part of the monuments of April Student Revolution, bears a striking resemblance to the works of Josef Thorak and Georg Kolbe. Especially, the sword and rifle held by guardians, which were the very cause of the victim"s death, remind us of the leading figures in the military coup. In this sense, it is no exaggeration to say that the Monument of April Student Revolution virtually commemorates the May 16 military coup rather than the April revolution.

목차

Ⅰ. 들어가는 말
Ⅱ. 4.19 민주묘지와 조형물의 건립 과정
Ⅲ. <4.19 학생혁명 기념탑>의 조형적 의미
Ⅳ. 나가는 말
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2014-609-000236022