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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.2
- 수록면
- 111 - 137 (27page)
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초록· 키워드
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In the preface to Endymion : A Poetic Romance (1818) , Keats focuses attention to adolescence as a “mawkish” “space of life between” childhood and adulthood. He marks this period as a transitional stage of life when contradictory emotions are mixed together. Young Endymion, the title character of the poem, goes back and forth between sensuality and spirituality, privacy of passion and social control of it, or selfish passion and disinterested love. This adolescent duality itself activates what Keats terms “pleasure thermometer.” His poetics of immaturity this de-stabilizes the contemporary establishment of adult literacy.
Closely examined, the two-faced aspects of Keatsian adolescent melancholy reflect a historical division of privacy and publicity in modern society. With the advent of the “bourgeois public sphere” in Habermas’s terms, modern society becomes steeped in the constant conflict of private opinions and their publicity. Romantic writers, intriguingly enough, internalize publicity so as to extol sentimental community. They cherish such values as fellowship, humanity, love, imagination. They cherish such values as fellowship, humanity, love, imagination, and sympathy. In the poem, Endymion pursues emotional, but not political, leadership in a new world of sentimental community.
Putting the doubleness of Endymion’s romance in a colonial context, Keats’s adolescent imagination accompanies his imperial imagination. Endymion alternates between his sensuous desires for the Indian maid and English Cynthia’s request for his self-reflection. This orientalized polarization of his desires reflects the distinction between the privacy and publicity of passion. Like Keats as a chameleon poet who aims to embrace different identities, Endymion rejoices in chameleon pleasure by including both the Indian maid and Cynthia.
Keats senses the importance of textual conquest. He sends his work Endymion to English explorer Joseph Ritchie going to the Sahara Desert. Just as the British government seeks territorial conquest, Keats pursues textual infiltration into foreign lands. He anticipates that his orientalist text Endymion will be read both at home and abroad.
Closely examined, the two-faced aspects of Keatsian adolescent melancholy reflect a historical division of privacy and publicity in modern society. With the advent of the “bourgeois public sphere” in Habermas’s terms, modern society becomes steeped in the constant conflict of private opinions and their publicity. Romantic writers, intriguingly enough, internalize publicity so as to extol sentimental community. They cherish such values as fellowship, humanity, love, imagination. They cherish such values as fellowship, humanity, love, imagination, and sympathy. In the poem, Endymion pursues emotional, but not political, leadership in a new world of sentimental community.
Putting the doubleness of Endymion’s romance in a colonial context, Keats’s adolescent imagination accompanies his imperial imagination. Endymion alternates between his sensuous desires for the Indian maid and English Cynthia’s request for his self-reflection. This orientalized polarization of his desires reflects the distinction between the privacy and publicity of passion. Like Keats as a chameleon poet who aims to embrace different identities, Endymion rejoices in chameleon pleasure by including both the Indian maid and Cynthia.
Keats senses the importance of textual conquest. He sends his work Endymion to English explorer Joseph Ritchie going to the Sahara Desert. Just as the British government seeks territorial conquest, Keats pursues textual infiltration into foreign lands. He anticipates that his orientalist text Endymion will be read both at home and abroad.
목차
I. Introduction
II. Duality of Keatsian Adolescent Romance:Privacy and Publicity of Passion
III. Cynthia, an Indian Maid, and Oriental “Pleasure Thermometer”
IV. Conclusion
Works Cited
Abstract
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UCI(KEPA) : I410-ECN-0101-2014-840-000289191