지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Culture understands human nature as being constantly made and remade through the active encounter with the outside world. By expressing their own sense of the world, human beings create their own selfhood and in this formative process one can enlarge one’s experience and deepen the insight into the world. This article explores the theoretical basis on which we understand how the mass encounters culture through cultural modernization, which means the commercialization of culture, by examining Walter Benjamin’s “The Work of Art in the Age of Mechanical Reroduction”; Stuart Hall’s “Notes on Deconstructing ‘the Popular’”; and Paul Willis’s Common Culture.
The main thesis of this article is that commercial cultural commodities are the major resources of our daily act of symbolic production and consumption in contemporary society. Symbolic creativity is at the core of what we call cultural activity. It empowers the active sense of our vital capacities and enable people to intervene in the formation of their own subjectivities. It provides widened range of usable symbolic resources for the development and emancipation of everyday culture. The mass has been culturally emancipated, and market relations played a crucial role in the process of this emancipation.
The main thesis of this article is that commercial cultural commodities are the major resources of our daily act of symbolic production and consumption in contemporary society. Symbolic creativity is at the core of what we call cultural activity. It empowers the active sense of our vital capacities and enable people to intervene in the formation of their own subjectivities. It provides widened range of usable symbolic resources for the development and emancipation of everyday culture. The mass has been culturally emancipated, and market relations played a crucial role in the process of this emancipation.
목차
Ⅰ
Ⅱ. 대중 미디어의 해방적 잠재력: 벤야민의 「기계복제 시대의 예술작품」
Ⅲ. ‘대중’의 해체와 재구성: 대중 미디어 시장과 일상의 미학
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UCI(KEPA) : I410-ECN-0101-2014-840-000308200