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Ogawa Mimei (1882-1962) was a Japanese children"s story writer who was called as ‘Anderson of Japan’ or ‘Father of Japanese children"s’ literature.
He increased his reputation from 1920s and left thousands of children"s stories, fictions and essays in his lifetime. These days Ogawa Mimei"s literary works are considered as required pieces among the Japanese children"s writers.
However, Korean childeren"s literature was not established as a study and there were not many researches or studies about Mimei in Korea. Furthermore, Ogawa was on the coopereative side of the war and his pieces included contents which were not admittable in Korea.
Meanwhile, he attained his literary movement for more than 50 years.
At times his movement is devided as ‘neo-Romanticism, socialism, living era, wartime and ＜Postwar＞children"s literature era’.
The thesis takes note of [MIDORIIRO NO TOKEI], Ogawa"s anthology and consider its characteristic. In one of the Ogawa"s story (MIDORIIRO NO TOKEI) shows the character (ozisan) which I think was Ogawa"s alter ego. The thesis investigated what exactly the (ozisan) meant and compared this work to the other works of himself. In addition, the thesis includes the analysis of how Ogawa tried to express his spirit as a writer through the character (ozisan) in his lifetime.
He increased his reputation from 1920s and left thousands of children"s stories, fictions and essays in his lifetime. These days Ogawa Mimei"s literary works are considered as required pieces among the Japanese children"s writers.
However, Korean childeren"s literature was not established as a study and there were not many researches or studies about Mimei in Korea. Furthermore, Ogawa was on the coopereative side of the war and his pieces included contents which were not admittable in Korea.
Meanwhile, he attained his literary movement for more than 50 years.
At times his movement is devided as ‘neo-Romanticism, socialism, living era, wartime and ＜Postwar＞children"s literature era’.
The thesis takes note of [MIDORIIRO NO TOKEI], Ogawa"s anthology and consider its characteristic. In one of the Ogawa"s story (MIDORIIRO NO TOKEI) shows the character (ozisan) which I think was Ogawa"s alter ego. The thesis investigated what exactly the (ozisan) meant and compared this work to the other works of himself. In addition, the thesis includes the analysis of how Ogawa tried to express his spirit as a writer through the character (ozisan) in his lifetime.
목차
一. はじめに
二.『みどり色の時計』
三.『みどり色の時計』の中の〈?後〉
四.『みどり色の時計』の中の〈おじさん〉
五.『みどり色の時計』の中のスケッチ風の童話
六．まとめ
?考文?
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UCI(KEPA) : I410-ECN-0101-2014-910-000413905