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The exhibition as a sightseeing was a trend in Kyungseong (京城) during the 1930s. The exhibition culture visualized the understandings about society, and it was widely spread all over the world, and it was both modern and western in East Asia, includeing Chosun. Traditionally, scholars would gather together and appreciate poems or drawings. However, this form was altered in that many anonymous audiences could appreciate the exhibited works while wandering (as a ‘flaneur’ by the mean of Walter Benjamin), or by taking a glance at the works. It was an innovative form of cultural experience, and it generated a new class called “audience,” who remained anonymous.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin- hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政 五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun. Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies.
The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939.
The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.
The first big exhibition in Chosun was ‘Si-jeong O-nyun Ki-nyum Chosun Mul-san Gongjin- hoe (Competitive Products Exhibition Commemorating the Five Years of Japanese Reign, 施政 五年記念朝鮮物産共進會),’ in 1915. It exhibited not only artistic works, but also agricultural products and hand-made goods, and it introduced the new culture of exhibition to the people of Chosun. Although art was only one of the elements in the exhibition in 1915, it developed into the establishment of the Chosun-governor Office Museum and Chosun Art Exhibition, which constituted two pillars of the Chosun-governor office’s art policies.
The art exhibition of Seo-hwa Hyup-hoe (an association of painters and calligraphers), held from 1921 to 1936, was led by a civil group and made use of school auditoriums to display works to the public. The Chosun Art Exhibition, the public exhibition held by the Chosun-governor office from 1922 to 1944, used Sang-pum-jin-yeol-gwan (commodity gallery) at first, and then the library of the office, or its previous office building to display the works. The Chosun Art Exhibition had no its own exhibition space until 1939.
The auditoriums of newspaper companies, which were another place for exhibitions in the 1920s, were not solely used as exhibition halls, but also as composite spaces for various purposes. Since the 1930s, permanent exhibition halls began to appear, as the Mitsukoshi department store and Hwasin department store opened art galleries; the facilities were built thanks to the commercial distribution of art works. Another characteristic of the era is that cafes were used to exhibit art, although these displays were not permanent.
The Modern Japanese Art Exhibition at Seokjojeon, located in Deoksu palace, began since in 1933, and the new wing of Yi-wanga Museum was built in 1938. Finally, the Chosun-governor office Museum was built in 1939. These were the beginning of permanent, public exhibition centers, and the mass exhibition culture originated from the establishments of these buildings.
#경성
#전시공간
#서화협회
#조선미술전람회
#경성일보 내청각
#동아일보사 강당
#미쓰코시 화랑
#화신 화랑
#낙랑 파라
#플라타느
#이왕가 미술관
#조선총독부 미술관
#Kyungseong
#exhibition space
#Seo-hwa-hyup-hoe(an association of painters and calligraphers)
#Chosun Art Exhibition
#Kyungseong Ilbo nae-cheong-kak
#Dong-A Ilbo Hall
#art gallery of Mitsukoshi department store
#art gallery of Hwasin department store
#cafe Nakrang Para
#cafe Platanne
#Art Museum in Deoksu palace
#Chosun-governor office Museum
목차
Ⅰ. 들어가는 말
Ⅱ. 전시 문화의 성립과 미술 전시
Ⅲ. 서화협회 전람회와 조선미술전람회의 전시공간
Ⅳ. 전시장으로 쓰인 신문사 강당과 공공 공간
Ⅴ. 백화점 화랑의 등장 : 미쓰코시 화랑과 화신 화랑
Ⅵ. 상설 전시장의 성립 : 이왕가 미술관과 조선총독부 미술관
Ⅶ. 나가는 말
참고문헌
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참고문헌 (31)
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UCI(KEPA) : I410-ECN-0101-2014-600-000668632