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In 1970, Japan hosted the first world exposition to be held in an Asian country in Osaka. Together with the 1964 Tokyo Olympics, Expo "70 was the culmination of Japan’s remarkable recovery from the ashes of World War Two. Japan’s leading architects, including Tange Kenz?, Isozaki Arata, and Metabolists, played a crucial role in creating techno-futuristic ambience of Expo "70 by drawing a master plan for the Expo site and designing futuristic pavilions.
Previous studies tend to view Expo "70 as the swan song of the modern architecture and the breakdown of avant-garde movement. However, this study considers the architects participating in Expo "70 less as members of tragic avant-garde who were mobilized and taken advantage by state authorities or big business, than as active agents who took full advantage of this state event in order to propose a new model of architecture and city for the coming society.
It situates Expo "70 within the specific futurological discourse of the time and examines the architects" efforts to build a soft architecture for an information-oriented future, focusing on the possibilities and constraints of their designs. Expo "70 can be viewed as a model city of information society, a society in which providing service and manipulation of information became the heart of the new economic order. The ultimate goal of this study is to provide an alternative genealogy of the post modern turn in Japanese architecture by reconsidering the significance of Expo architecture.
Previous studies tend to view Expo "70 as the swan song of the modern architecture and the breakdown of avant-garde movement. However, this study considers the architects participating in Expo "70 less as members of tragic avant-garde who were mobilized and taken advantage by state authorities or big business, than as active agents who took full advantage of this state event in order to propose a new model of architecture and city for the coming society.
It situates Expo "70 within the specific futurological discourse of the time and examines the architects" efforts to build a soft architecture for an information-oriented future, focusing on the possibilities and constraints of their designs. Expo "70 can be viewed as a model city of information society, a society in which providing service and manipulation of information became the heart of the new economic order. The ultimate goal of this study is to provide an alternative genealogy of the post modern turn in Japanese architecture by reconsidering the significance of Expo architecture.
목차
[표지]
Ⅰ. 머리말
Ⅱ. 미래학의 시대
Ⅲ. 하드웨어에서 소프트웨어로
Ⅳ. 축제광장, 보이지 않는 도시
Ⅴ. 캡슐 하우스, 정보화 사회의 주거
Ⅵ. 맺음말
참고문헌
Abstract
참고문헌 (45)
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UCI(KEPA) : I410-ECN-0101-2014-600-000668041