지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.10
- 수록면
- 947 - 958 (12page)
이용수
초록· 키워드
오류제보하기
The concept of the traditional dance may refers to those ones that has more than 100 years of historic power of transmission preserving identity of national culture and it also may last long if they have back up from clear will and value of objective rather than habitual transmission in terms of transmission tasks.
Being a principle subject of such traditional dance transmission, deceased Kim Sook Ja, a holders of intangible cultural heritage "Dosalpuyi-chum" is an unique dancer accomplished recreation of traditional dance by regrouping Gyeonggi traditional dance through HwasungJaeinchung the center of artistic dance skill and talent.
Matter of factly, HwasungJaeinchung was an origin of cultural heritage which built the foundation of the national culture, where the supereme artisis at that period of time had received educations there or had direct or indirect connection with this place, and Kim Sook Ja was trained here through her father who had connection with Jaeinchung at the same time completed all training course from Gwonbun.
Thus, the dance left by her can be classified into jaein-line dance and Shamanistic-line dance, and most of those dances maintain their original forms unlike other dances of Gibang-line, while both of them were mixed the technique of Jaein and the restraint of shaman to be created and purified as being the truthful beauty of stage.
In fact, persons belong to Jaeinchung-the extremely lowest grade of people-were the persons to have implemented historical transmission of our traditional cultural heritage to be existed today, and their artistic value met new opportunities highilighted in the age that prevails multi-national culture, and the effort and will of Kim Sook Ja in the process of transmission to succeeding generation left tremendous significance in preserving traditions as being a truthful artist of this age.
Being a principle subject of such traditional dance transmission, deceased Kim Sook Ja, a holders of intangible cultural heritage "Dosalpuyi-chum" is an unique dancer accomplished recreation of traditional dance by regrouping Gyeonggi traditional dance through HwasungJaeinchung the center of artistic dance skill and talent.
Matter of factly, HwasungJaeinchung was an origin of cultural heritage which built the foundation of the national culture, where the supereme artisis at that period of time had received educations there or had direct or indirect connection with this place, and Kim Sook Ja was trained here through her father who had connection with Jaeinchung at the same time completed all training course from Gwonbun.
Thus, the dance left by her can be classified into jaein-line dance and Shamanistic-line dance, and most of those dances maintain their original forms unlike other dances of Gibang-line, while both of them were mixed the technique of Jaein and the restraint of shaman to be created and purified as being the truthful beauty of stage.
In fact, persons belong to Jaeinchung-the extremely lowest grade of people-were the persons to have implemented historical transmission of our traditional cultural heritage to be existed today, and their artistic value met new opportunities highilighted in the age that prevails multi-national culture, and the effort and will of Kim Sook Ja in the process of transmission to succeeding generation left tremendous significance in preserving traditions as being a truthful artist of this age.
목차
Abstract
Ⅰ. 서론
Ⅱ. 연구방법
Ⅲ. 결과 및 논의
Ⅳ. 결론
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UCI(KEPA) : I410-ECN-0101-2014-692-000675357