지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.9
- 수록면
- 587 - 616 (30page)
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초록· 키워드
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I propose that Shakespearean comedies, As You Like It and Twelfth Night display a homoerotic circulation of desire which is elicited, exchanged, negotiated, and displaced when it confronts the pleasures and anxieties of its meanings in early modern culture. The circulation of homoerotic desire in As You Like It and Twelfth Night occurs when Rosalind and Viola are cross-dressed. There are some differences between the representations of As You Like It and Twelfth Night.
The homoeroticism of As You Like It is playful in the terms of her breaking into the dual mode of desire. As long as Rosalind/Ganymede is such a dual sexual object as simultaneously heterosexual and homoerotic one, Orlando’s effusion of desire toward her/him prevents the stable reinstitution of heterosexuality, on which the patriarchal marriage plot depends. By interrupting the arbitrary binarism of the heterosexual contract, male homoeroticism transgresses the erotic imperative of patriarchism. In spite of the temporal transgression, Hymen in the end concludes the play in terms of the “mock” marriage, which enacts only an ambivalent closure.
On the other hand, the homoeroticism of Twelfth Night is anxious and strained. This paper explores a diversity of desire: Viola/Cesario’s dual desire for Olivia and Orsino; Orsino’s ambivalent interest in Viola/Cesario; Sebastian’s responses to Olivia and Antonio; and finally, Antonio’s exclusive erotic wish for Sebastian. Though the play proceeds with erotic plurality as far as it can, it fixes the homoerotic interest onto a marginalized figure, Antonio in the face of anxiety generated by various desires. Antonio is sacrificed for the maintenance of institutionalized heterosexuality. The erotic pleasure in Twelfth Night is explored and sustained until it collapses into fear of erotic exclusivity. In conclusion, the ways Shakespearean patriarchal subjects negotiate for erotic agency within a social, political, and aesthetic field of constraints imply the possibilities and limitations of our own erotic negotiations.
The homoeroticism of As You Like It is playful in the terms of her breaking into the dual mode of desire. As long as Rosalind/Ganymede is such a dual sexual object as simultaneously heterosexual and homoerotic one, Orlando’s effusion of desire toward her/him prevents the stable reinstitution of heterosexuality, on which the patriarchal marriage plot depends. By interrupting the arbitrary binarism of the heterosexual contract, male homoeroticism transgresses the erotic imperative of patriarchism. In spite of the temporal transgression, Hymen in the end concludes the play in terms of the “mock” marriage, which enacts only an ambivalent closure.
On the other hand, the homoeroticism of Twelfth Night is anxious and strained. This paper explores a diversity of desire: Viola/Cesario’s dual desire for Olivia and Orsino; Orsino’s ambivalent interest in Viola/Cesario; Sebastian’s responses to Olivia and Antonio; and finally, Antonio’s exclusive erotic wish for Sebastian. Though the play proceeds with erotic plurality as far as it can, it fixes the homoerotic interest onto a marginalized figure, Antonio in the face of anxiety generated by various desires. Antonio is sacrificed for the maintenance of institutionalized heterosexuality. The erotic pleasure in Twelfth Night is explored and sustained until it collapses into fear of erotic exclusivity. In conclusion, the ways Shakespearean patriarchal subjects negotiate for erotic agency within a social, political, and aesthetic field of constraints imply the possibilities and limitations of our own erotic negotiations.
목차
Ⅰ.『뜻대로 하세요』에 나타난 동성애 봉쇄
Ⅱ. 『십이야』에 나타난 동성애 봉쇄
Ⅲ. 결론
Abstract
참고문헌 (17)
참고문헌 신청
1. [단행본] - Barber,C.L / 1963 / Shakespeare’s Festive Comedy:A Study of Dramatic Form and Its Relation to Social Custom / Princeton UP
2. [단행본] - Foucault, Michel / 1978 / The History of Sexuality Vol. 1 / Random House
3. [학술지(정기간행물)] - Freud, Sigmund / 1910 / Leonardo da Vinci and a memory of his childhood / SE 11 : 59 ~ 137
4. [단행본] - Greenblatt,Stephen / 1988 / Shakespearean Negotiations:The Circulation of Social Energy in the Renaissance England / Clarendon P
5. [단행본] - Greenblatt, Stephen / 1988 / Fiction and Friction, In Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England / Clarendon P : 66 ~ 93
2. [단행본] - Foucault, Michel / 1978 / The History of Sexuality Vol. 1 / Random House
3. [학술지(정기간행물)] - Freud, Sigmund / 1910 / Leonardo da Vinci and a memory of his childhood / SE 11 : 59 ~ 137
4. [단행본] - Greenblatt,Stephen / 1988 / Shakespearean Negotiations:The Circulation of Social Energy in the Renaissance England / Clarendon P
5. [단행본] - Greenblatt, Stephen / 1988 / Fiction and Friction, In Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England / Clarendon P : 66 ~ 93
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