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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Situated at the intersection of art history and media theory, This paper focuses on the critical view point for the spatial experience in Jeffrey Shaw’s new media installations. As listed in the title; New media, Installation art, and the spatial experience to form an independent context, while the concepts are closely connected with each other. These elements can be combined in various ways, researchers in new media installation art focus on the mediation that the specific space demonstrates. Jeffrey Shaw’s work aspect reflection is the prime example of such experiences.
In this paper, I consider the works of Jeffrey Shaw in the context of contemporary art and media theory. From the early video installation(1970s’) to a combination of physical space and image space(1980’s), and Virtual Reality(1990’s), Jeffrey Shaw has been experimenting with a variety of media arts. In this process, Jeffrey Shaw works with his work and spectators’ body, the interaction between spaces, and continue to explore and interact with such immersion by design and distancing can be explained by induction to find ourselves in the space experience. Especially, his virtual reality installations offer the new methods and new paradigms which extend the spatial identity of the artworks. And not just in terms of the structure of the image itself, but also in terms of a space of interactions between the virtual image and the spectator’s body. Such a digital conjunction of virtual and actual space evokes a specific ‘tension’. These characteristics of contemporary art, technology and new media culture refers to the point of convergence.
In conclusion, Jeffrey Shaw’s new media installations complex to discuss in the context of contemporary art, it presents the main alternatives. New media installation art space, the experience of physical space and virtual space through the tension between new media culture leads to speculation about behind. This discussion and drawing in a variety of context at the same time is also a description of a very narrow area. Jeffrey Shaw reflects the progressive contemporary art that are important model that will direct the future arts.
In this paper, I consider the works of Jeffrey Shaw in the context of contemporary art and media theory. From the early video installation(1970s’) to a combination of physical space and image space(1980’s), and Virtual Reality(1990’s), Jeffrey Shaw has been experimenting with a variety of media arts. In this process, Jeffrey Shaw works with his work and spectators’ body, the interaction between spaces, and continue to explore and interact with such immersion by design and distancing can be explained by induction to find ourselves in the space experience. Especially, his virtual reality installations offer the new methods and new paradigms which extend the spatial identity of the artworks. And not just in terms of the structure of the image itself, but also in terms of a space of interactions between the virtual image and the spectator’s body. Such a digital conjunction of virtual and actual space evokes a specific ‘tension’. These characteristics of contemporary art, technology and new media culture refers to the point of convergence.
In conclusion, Jeffrey Shaw’s new media installations complex to discuss in the context of contemporary art, it presents the main alternatives. New media installation art space, the experience of physical space and virtual space through the tension between new media culture leads to speculation about behind. This discussion and drawing in a variety of context at the same time is also a description of a very narrow area. Jeffrey Shaw reflects the progressive contemporary art that are important model that will direct the future arts.
목차
Ⅰ. 들어가며: 간극과 속도
Ⅱ. 확장된 시네마(Expanded Cinema)에서 가상공간으로
Ⅲ. 물리공간과 가상공간 사이의 긴장
Ⅳ. 나가며: 디지털 가상의 문제
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UCI(KEPA) : I410-ECN-0101-2013-609-003348707