지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Henry Rider Haggard’s She: A History of Adventure has been given two extremes of opinions from critics, but it is obvious that his work must have profound meanings and possibilities. My aim in this paper is to focus on the gothic/gothicism achieved through female gothic, cyclical violence and excess in She. Haggard’s queer imagination in exotic Africa not in England is encouraged in this text.
Ayesha’s sex or gender is twofold and vague like her veil, it is not easy to define her true nature as a three-layer mixture composing the realm of human consciousness. Her sex or gender is not one but between female and male, giving too much prominence to sadism and masochism. In addition, Ustein, Holy, Leo and Ayesha’s loves seem excessive. A ruler of a far foreign land, fearful and manly and at the same time womanly Ayesha and Ustein’s love toward Leo causes a cyclical violence.
As soon as she enters flame secondly, she transforms herself into an ape instantaneously at the ending. The most radical excess in this work reaches its peak, which awakens humans’ horrors and hidden desires with a flexible feminine. A cyclical violence can make past re-established between sadism and masochism. Her modification shows not only the desires for transcendence beyond body or narrative, or virtuality, but also the advent of the transformed past. Therefore, the very extinction shouldn’t be read as feminine’s failure against masculine hegemony because she could return in a cold but beautiful form.
She shows the characteristics of female gothic along with subjective imagination as tools of reality interpretation instead of reason, as female gothic seeks to examine females’ sexuality, gender hierachy, and preternaturalness and so on, meeting polyhybrid epistemology of the 21st century. As female gothic through She implies a correction of reality, not an escape from reality, gothic seems newer and more proper at this time and is reflected in the emotional trajectory of the violence, eroticism and sentimental excess between feminism and postmodernism.
Ayesha’s sex or gender is twofold and vague like her veil, it is not easy to define her true nature as a three-layer mixture composing the realm of human consciousness. Her sex or gender is not one but between female and male, giving too much prominence to sadism and masochism. In addition, Ustein, Holy, Leo and Ayesha’s loves seem excessive. A ruler of a far foreign land, fearful and manly and at the same time womanly Ayesha and Ustein’s love toward Leo causes a cyclical violence.
As soon as she enters flame secondly, she transforms herself into an ape instantaneously at the ending. The most radical excess in this work reaches its peak, which awakens humans’ horrors and hidden desires with a flexible feminine. A cyclical violence can make past re-established between sadism and masochism. Her modification shows not only the desires for transcendence beyond body or narrative, or virtuality, but also the advent of the transformed past. Therefore, the very extinction shouldn’t be read as feminine’s failure against masculine hegemony because she could return in a cold but beautiful form.
She shows the characteristics of female gothic along with subjective imagination as tools of reality interpretation instead of reason, as female gothic seeks to examine females’ sexuality, gender hierachy, and preternaturalness and so on, meeting polyhybrid epistemology of the 21st century. As female gothic through She implies a correction of reality, not an escape from reality, gothic seems newer and more proper at this time and is reflected in the emotional trajectory of the violence, eroticism and sentimental excess between feminism and postmodernism.
목차
Ⅰ. 들어가며
Ⅱ. 기이한 상상력과 가능성 : 사이에 있는 여성적 고딕
Ⅲ. 되풀이되고 재구성되는 과거: 순환적인 사디즘과 마조히즘
Ⅳ. 과잉의 위반적 미학: 고딕(성)의 발현
Ⅳ. 나오며
인용문헌
Abstract
참고문헌 (34)
참고문헌 신청
1. [단행본] - 버틀러, 주디스 / 2008 / 페미니즘과 정체성의 전복 / 문학동네
2. [단행본] - 임옥희 / 2006 / 젠더의 조롱과 우울의 철학:주디스 버틀러 읽기 / 여이연
3. [단행본] - Atwood, Margaret. Preface / 1994 / She: A History of Adventure / Signet : xvi ~ xxiv
4. [단행본] - Atwood, Margaret. Preface / 1972 / Survival: A Thematic Guide to Canadian Literature / M & S
5. [단행본] - Auerbach, Nina / 1982 / Woman and the Demon: The Life of a Victorian Myth / Harvard UP
2. [단행본] - 임옥희 / 2006 / 젠더의 조롱과 우울의 철학:주디스 버틀러 읽기 / 여이연
3. [단행본] - Atwood, Margaret. Preface / 1994 / She: A History of Adventure / Signet : xvi ~ xxiv
4. [단행본] - Atwood, Margaret. Preface / 1972 / Survival: A Thematic Guide to Canadian Literature / M & S
5. [단행본] - Auerbach, Nina / 1982 / Woman and the Demon: The Life of a Victorian Myth / Harvard UP
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UCI(KEPA) : I410-ECN-0101-2013-840-003402507