지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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The truth of work reflects the relative aspect of its corresponding to zeitgeist of those days that it was produced rather than being something of an absolute and unique. Although, regarding this, there is a case of firmly persisting on the regression of fundamental truth like the cases of Martin Heidegger(1889~1976), Jacques Derrida(1930~2004) shows rather a flexible attitude from a perspective stand about the truth of work by saying the possibility of various analysis that one piece of art work could provide.
Derrida"s assertion, as it is, appears to be appropriate in explaining the variance of structure and ambiguous form of modern art which abandoned the reexpression. The central axis of his theory of truth begins from thoroughly criticizing the metaphysics which the modern art, with models of anthropocentrisme, logoscentrisme, monosemie and aisthesis, copies.
This text, in order to understand such assertion practically, looks into the works of Picasso"s「Demoiselles d"Avignon」, Dubuffet"s「La Metafisyx」and Bacon"s「Three Studies for Figures at the Base of Crucifixion」all of which form the same shape with his suggestion. These three artists also rise in revolt to anthropocentric modern art of rational edge which comes from Decartesian cogito and show ontological practice of the artist who lives the world with each own different typology. The analysis of these works will make us understand the artistic truth of modern art and further lead us to self-examination regarding a human being and the world.
Derrida"s assertion, as it is, appears to be appropriate in explaining the variance of structure and ambiguous form of modern art which abandoned the reexpression. The central axis of his theory of truth begins from thoroughly criticizing the metaphysics which the modern art, with models of anthropocentrisme, logoscentrisme, monosemie and aisthesis, copies.
This text, in order to understand such assertion practically, looks into the works of Picasso"s「Demoiselles d"Avignon」, Dubuffet"s「La Metafisyx」and Bacon"s「Three Studies for Figures at the Base of Crucifixion」all of which form the same shape with his suggestion. These three artists also rise in revolt to anthropocentric modern art of rational edge which comes from Decartesian cogito and show ontological practice of the artist who lives the world with each own different typology. The analysis of these works will make us understand the artistic truth of modern art and further lead us to self-examination regarding a human being and the world.
목차
1. 진리에 관하여
2. 자크 데리다
3. 「아비뇽의 아가씨들」(그림1)
4. 「메타피직스」(그림2)
5.「그리스도 십자가 처형대 위의 인물에 대한 세 가지 연구」(그림3)
6. 진리들의 신전
참고문헌
Abstract
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