지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This research comparatively tries to analyze Seneca’s Medea and Shakespeare’s Titus Andronicus, in terms of debunking patriarchy, not to speak of the Senecan tradition of revenge tragedy. In the two revenge plays, the playwrights leave room for self-criticism on the patriarchal hegemony, in relation to colonial imagination, at once in gender and in race. Like Medea, Tamora the foreign other is doubly colonized, sexually and racially. Remarkably, in Western culture, the colonial imagination concerning foreigners and females is overlapping each other, with imperialism overlapping with patriarchal hegemony. Here’s a meaningful voice by Aaron: “O, why should wrath be mute, and fury dumb?” This shouting for the awareness and demystification of the other is debunkingly supposed to echo in the mind of the audience, with the imperialistic patriarchy put into challenge. The shouting can be the other’s angry voice. Through it, also, the muted and dumbed Lavinia must have her voice; honor killing of Lavinia is actually a pretext for subjugating the other, a pretext
arising from the psychology of male anxiety toward the feminine other.
arising from the psychology of male anxiety toward the feminine other.
목차
Works Cited
Abstract
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
Adjunct Condition Effects in English Revisited
이원빈
,
권기양
새한영어영문학
2012
.05
Shifts of Attitudinal Meaning in English-Korean News Translation on the Basis of Appraisal Theory
서주희
새한영어영문학
2012
.05
The New "Eyesight" : Walt Whitman's Panoramic Vision
심진호
새한영어영문학
2012
.05
Effects of Reading Ability and Affective Attitudes through TETE & TETE&K
Eun
,
Ho-Yoon
,
Jeon
외 1명
신영어영문학
2012
.02
A Defense on Mr. Morel in Sons and Lovers
Yoon
,
Hae-Ryung
신영어영문학
2012
.02
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-840-001501801