지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.12
- 수록면
- 165 - 173 (9page)
이용수
초록· 키워드
오류제보하기
Art Nouveau means “new art.” It is a movement that emerged in response to industrialization, the rise of technology and the loss of humanity. Art Nouveau is a kind of decorative art which is a departure from the historicism that dominated the design trends of the 19th century. Even now, it continues to influence various areas of design.
In this study I provide textile wall paper designs which illustrate the four types of Art Nouveau. The first type is abstract, constructive and symbolic in style. The second is organic and floral in style. The third is a linear and two-dimensional style and the fourth is constructive and geometric. Classification was done based on the Art Nouveau pattern standard by S.T. Modsen. As a research approach, the theoretical considerations of Art Nouveau and design development were used.
The result of this research shows that the Art Nouveau style contains decorative and splendid elements. Art Nouveau style proceeds vitality by expressing natural motives in a free and vital way, departing from traditional beauty of form. In terms of color used, Art Nouveau prefers to use oriental colors including pastel and gold tones, which were influenced by impressionism. Such patterns and colors are suitable for the expression of dynamic images. For that reason, the patterns and colors of Art Nouveau are considered especially appropriate for wall papers that can be used to provide a focal point for otherwise plain interior decoration.
Throughout the entire research, Art Nouveau is determined to have the ability to make various types of images possible, such as modern and classical patterns through the combination of organic and geometric patterns.
In this study I provide textile wall paper designs which illustrate the four types of Art Nouveau. The first type is abstract, constructive and symbolic in style. The second is organic and floral in style. The third is a linear and two-dimensional style and the fourth is constructive and geometric. Classification was done based on the Art Nouveau pattern standard by S.T. Modsen. As a research approach, the theoretical considerations of Art Nouveau and design development were used.
The result of this research shows that the Art Nouveau style contains decorative and splendid elements. Art Nouveau style proceeds vitality by expressing natural motives in a free and vital way, departing from traditional beauty of form. In terms of color used, Art Nouveau prefers to use oriental colors including pastel and gold tones, which were influenced by impressionism. Such patterns and colors are suitable for the expression of dynamic images. For that reason, the patterns and colors of Art Nouveau are considered especially appropriate for wall papers that can be used to provide a focal point for otherwise plain interior decoration.
Throughout the entire research, Art Nouveau is determined to have the ability to make various types of images possible, such as modern and classical patterns through the combination of organic and geometric patterns.
목차
Abstract
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 텍스타일 벽지 디자인
Ⅳ. 결론
참고문헌
참고문헌 (10)
참고문헌 신청
1. [학술지(정기간행물)] - 곽보영 / 2009 / 아르누보 장신구에 표현된 자포니즘 예술 특성 / 복식 59 (7) : 114 ~ 126
2. [학위논문] - 김경은 / 2007 / 아르누보 양식을 이용한 식물 이미지 표현 연구 / 석사 / 홍익대학교 대학원
3. [학술지(정기간행물)] - 김은정 / 2007 / 아르누보양식의 조형적 특성연구-르네랄리크.에밀갈레.루이스 컴포트 티파니.빅토르오르타의 작품을 중심으로 / 조형예술학연구 11 : 5 ~ 35
4. [학술지(정기간행물)] - 신인수 / 2001 / 아르누보 시대의 직물에 나타난 문양에 관한 연구 / 생활자원개발연구 3 : 133 ~
5. [단행본] - 월간미술 / 1989 / 세계미술용어사전 / 중앙일보사
2. [학위논문] - 김경은 / 2007 / 아르누보 양식을 이용한 식물 이미지 표현 연구 / 석사 / 홍익대학교 대학원
3. [학술지(정기간행물)] - 김은정 / 2007 / 아르누보양식의 조형적 특성연구-르네랄리크.에밀갈레.루이스 컴포트 티파니.빅토르오르타의 작품을 중심으로 / 조형예술학연구 11 : 5 ~ 35
4. [학술지(정기간행물)] - 신인수 / 2001 / 아르누보 시대의 직물에 나타난 문양에 관한 연구 / 생활자원개발연구 3 : 133 ~
5. [단행본] - 월간미술 / 1989 / 세계미술용어사전 / 중앙일보사
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UCI(KEPA) : I410-ECN-0101-2013-595-001477497