지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.12
- 수록면
- 3 - 14 (12page)
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초록· 키워드
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This study was analyzed mainly by written documents in China, Japan, and Korea to compare martial arts in terms of cultural history and obtained the following conclusions. Chinese martial art is an area of its culture in contradistinction to literature, which remains in the heart of chinese people as ‘Hyup’ or chivalry. This ‘Hyup’ phenomenon shows, eventually, the common spirit that exits in the society of warriors. Its martial arts seems that warriors were created by training, and those warriors kept faith by themselves to create so called ‘Hyup’ phenomenon. The realty of Japanese martial arts spirit is Bushido(Samurai sprit). Bushido is spirit, practical norm and actuality at the same time. The concept of Bushido is composed of four Buddhist concept and this means the Japanese martial arts has received a significant impact from Zen. Korea is a country that respects literary. Martial arts has always been placed under the shade of literature, rather than making harmony of martial arts and literature. During 500 years of Chosun Dynasty, its policy which emphasized Confucianism, put limit on Korean martial arts for developing its actual spirit. This caused the issue of Taekwondo’s identity until now. Despite such a situation, the rapid growth of Taekwondo can be said a breakthrough, considering the long history of martial arts in China and Japan. Most Korean martial arts organizations consider ‘Muyedobotongji’ as the starting point. Therefore, Korean martial arts can only be found from ideological foundation of Taekwondo since it does not have a long history.
목차
Abstract
Ⅰ. 서론
Ⅱ. 동양문화와 무예사상
Ⅲ. 동양 무예사상에 대한 문화사적 해석
Ⅳ. 결론
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UCI(KEPA) : I410-ECN-0101-2013-692-001292483