지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2011.12
- 수록면
- 155 - 174 (20page)
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This essay examines how the aesthetics of shock resulting from a subversive form of verbal violence functions as a means of transforming the audience into a Levinasian subject of consideration and love responsible for the vulnerable other in Sarah Kane"s 4.48 Psychosis. Many critics have regarded this play as a dramatic "suicide note," bringing forward evidence for her suicide not only from the play itself but also her bout with clinical depression ending in suicide. This approach risks missing its aesthetic beauty as a literary art. This essay insists on the effect of shock as a means for the epiphany of the face of the Other, thus paving the way for separating the audience from their own prejudice and attitude deeply ingrained in a legitimate society of violence. By extremely exposing the patient"s mind as the locus for the shocking images of violence, 4.48 Psychosis engages the audience in a journey of being immersed in an intensive force as "a bloc of sensations" of violence. Along with their irresistible claims to responsibility, this shocking images serve as a prerequisite for the ethical encounter with the Other. Through the ethical effect of this shock, 4.48 Psychosis presents itself as a demand for the audience to respond to the "nakedness" and "defenselessness" in the face of the Other.
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UCI(KEPA) : I410-ECN-0101-2013-842-001236474