지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Among the eight basic concepts Shinmyong would be the basis of motivation, cause, and drive factor rather than aesthetic category or beauty type. Shinmyong can be associated with creative and productive aura in the ordinary lives. It can be the first dimension to experience the first-time creativity as the flow of generative energy in aesthetics. It is similar to a pregnant mother who will deliver a baby. Also it can be said as unique experience format through the process of insight or imagination in the viewpoints of audience or receivers as well as the creative process. Shinmyong should be defined as the experience of creation or appreciation concept. The first project to discuss Shinmyong would be where it could be positioned in the flow of modern aesthetics. The concepts discussed in Western aesthetics are empathy, insight, inspiration, imagination, emotion, and passion, From Oriental aesthetics, especially Chinese viewpoint, they could be Heong(興), Heongchi(興趣), Shingi(神氣), Jeonggi(精氣), Chimyoung(聰明)/Jonshin(傳神), Shinyoung(神境), Soyoh(逍遙). There are "Heonggyoum" or "Shinbaram" in the ordinary Gomuhjinshin(鼓舞盡神) expresses the physical expression of ecstacy.
There are "Shinnago", "Shindulgo", "Shinorgo", "Shinnaerigo" and "Shinjipinda" in Korean ordinary words. It is said to be the flow of energy, tropes, and the dynamics or vector of winds in every direction; front and back, right and left, up and down, and in and out. It is the encounter of internal or external energy in the bio action, crossed and united relationship of energy, coming toward or down in the body. It is harmony with the core concepts of "Giwhashilryung" in Donghak. That"s a shivering swing or correspondence between subject and object in the emotional waves.
Soowun, Choi Jaeoo interprets the letter of si(侍) as inside Shilryung, outside the actions of Giwha, so every person does not move from the origin in the "essay on study"
In Shilrung"s becoming Giwha we feel Shinmyong. Sir Kim Ilboo"s Jeongyuk(正易) suggested the respiration sound, "Eumaeoiou" as the basis of the persistent meditation, in which we can experience the action of Shinmyong generating and exploding energy through the newly experienced world. Furthermore a Korean Buddhist priest Wonhyo danced Mooaegamu, which is not different from the realization of Shinmyong as a practical experience like the thought of Jinsokilryo, Ilshim(一心), Hwhajaeng(和諍), and Wonyung(圓融). If Shinmyong is discussed among the network of aesthetics more systematically, Heong in the theory of poetry. caliography. painting and Shingi(神氣) in Hwaron could be contrast against Shinmyong of the flowing genre, Akgamoo. The discussion of Shinmyong will be raised up that of Heong or Shingi like mating.
The exploding process of Shinmyong in the flowing of Akgamu in Korean culture is in the immenent process of Salpuri. "Sal" in Salpuri identifies the subject to kill at first, and does battle with kind of killing. Salpuri begins with the identification of killing. Cheoyong fends off the devils with dancing after discovering the scene. The media of dancing with a song becomes the means overcoming the real world. Shinmyong takes place in the Salpuri steps. The dynamic overwhelming Shinmyong fends off devils with dancing, getting to the highest point of Salpuri. In spite of sal in group unit, collective Shinmyong, and live Shinmyong, there will be Sal in personal unit and interal Shinmyong. The more diverse lifestyles are, the more directions of Shinmyong becomes.
Shade and Geongchi would be transcendental ecstasy or the experience to contact God, which has been rooted in Central Asia and Eastern Asia. Things inside communicate with things outside, being the transcendence of reality. Mask dance is embodied in the real world, Shinmyong of all the fleshes. Since only somebody cannot praise Hanulnim, the concept that man is just heaven can be explained through Shinmyong. Whoever feels Hanulnim will explode creative energy by himself. If we get ride of some walls to stop Shinmyong, Shinmyong can be overflowed to anyone in every place.; to cure all through Shinmyong, to make friends through battle, and to be Shinmyong through Salpuri, and the pleasure under sorrow. In that way it is possible to suggest the relationship of Hahn and Shinmyong, which can be the brightness in shade, or the meaning of white Shade in the categorical theory of Korean aesthetics.
There are "Shinnago", "Shindulgo", "Shinorgo", "Shinnaerigo" and "Shinjipinda" in Korean ordinary words. It is said to be the flow of energy, tropes, and the dynamics or vector of winds in every direction; front and back, right and left, up and down, and in and out. It is the encounter of internal or external energy in the bio action, crossed and united relationship of energy, coming toward or down in the body. It is harmony with the core concepts of "Giwhashilryung" in Donghak. That"s a shivering swing or correspondence between subject and object in the emotional waves.
Soowun, Choi Jaeoo interprets the letter of si(侍) as inside Shilryung, outside the actions of Giwha, so every person does not move from the origin in the "essay on study"
In Shilrung"s becoming Giwha we feel Shinmyong. Sir Kim Ilboo"s Jeongyuk(正易) suggested the respiration sound, "Eumaeoiou" as the basis of the persistent meditation, in which we can experience the action of Shinmyong generating and exploding energy through the newly experienced world. Furthermore a Korean Buddhist priest Wonhyo danced Mooaegamu, which is not different from the realization of Shinmyong as a practical experience like the thought of Jinsokilryo, Ilshim(一心), Hwhajaeng(和諍), and Wonyung(圓融). If Shinmyong is discussed among the network of aesthetics more systematically, Heong in the theory of poetry. caliography. painting and Shingi(神氣) in Hwaron could be contrast against Shinmyong of the flowing genre, Akgamoo. The discussion of Shinmyong will be raised up that of Heong or Shingi like mating.
The exploding process of Shinmyong in the flowing of Akgamu in Korean culture is in the immenent process of Salpuri. "Sal" in Salpuri identifies the subject to kill at first, and does battle with kind of killing. Salpuri begins with the identification of killing. Cheoyong fends off the devils with dancing after discovering the scene. The media of dancing with a song becomes the means overcoming the real world. Shinmyong takes place in the Salpuri steps. The dynamic overwhelming Shinmyong fends off devils with dancing, getting to the highest point of Salpuri. In spite of sal in group unit, collective Shinmyong, and live Shinmyong, there will be Sal in personal unit and interal Shinmyong. The more diverse lifestyles are, the more directions of Shinmyong becomes.
Shade and Geongchi would be transcendental ecstasy or the experience to contact God, which has been rooted in Central Asia and Eastern Asia. Things inside communicate with things outside, being the transcendence of reality. Mask dance is embodied in the real world, Shinmyong of all the fleshes. Since only somebody cannot praise Hanulnim, the concept that man is just heaven can be explained through Shinmyong. Whoever feels Hanulnim will explode creative energy by himself. If we get ride of some walls to stop Shinmyong, Shinmyong can be overflowed to anyone in every place.; to cure all through Shinmyong, to make friends through battle, and to be Shinmyong through Salpuri, and the pleasure under sorrow. In that way it is possible to suggest the relationship of Hahn and Shinmyong, which can be the brightness in shade, or the meaning of white Shade in the categorical theory of Korean aesthetics.
목차
Ⅰ. 글머리에
Ⅱ. 신명의 정의들
Ⅲ. 신명의 개념적 층위
Ⅳ. 전통춤과 신명의 여러 갈래들
Ⅴ. 신명의 내재적 속성
Ⅵ. 신명이 드러나는 틀로서의 극적생성적 시공간
Ⅶ. 신명의 연행현장론
Ⅷ. 탈춤의 등장인물을 통해보는 한국적 신명론; 미얄의 죽음과 소매의 유랑
Ⅸ. 비장과 골계, 한과 신명의 미적 범주론 재론
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
한, 씻김, 신명, 흰그늘 : 순환적 시간에 내재한 성(聖)과 속(俗)의 고리들
민족미학
2007 .12
-
여자고등학교 육상선수들의 생리전 , 중 , 후의 기록변화연구 (트랙선수를 중심으로 )
한국여성체육학회지
1994 .01
-
한국인 남·여 30~50대의 한글자모 연상색채 이미지에 관한 연구
한국색채학회논문집
2010 .08
-
탈춤에서 소외된 계층은 어떻게 표현되고 있는가
민족미학
2005 .06
-
모나드론 관점에서 본 현대건축공간에 나타나는 펼침의 특성에 관한 연구 : 주름 개념에서 펼침의 관점을 중심으로
한국실내디자인학회 논문집
2012 .08
-
시설 재배 절화 장미의 계절에 따른 색채변화 분석
한국색채학회논문집
2014 .11
-
민간경비원의 경호무도 수련유형이 자아탄력성과 직무수행 만족도에 미치는 영향
무도연구소지
2009 .12
-
지속가능한 도시 조성을 위한 그린디자인 정책방향 및 추진전략 연구 : 서울특별시를 대상으로
Archives of Design Research
2011 .11
-
사용자 중심 디자인을 위한 다인병실에 대한 사용자 평가연구 : 부산 H 종합병원 사례를 중심으로
한국실내디자인학회 논문집
2012 .12
-
장 누벨 건축공간에 나타난 빛의 장소적 프로그램에 관한 연구
한국실내디자인학회 논문집
2012 .12
-
골프관광 연구내용분석 : 국외연구를 중심으로
한국체육과학회지
2012 .10
-
소비자- 인터넷 브랜드 관계가 소비자의 만족과 충성도에 미치는 영향
한국의상디자인학회지
2013 .09
-
60년대 미니멀리즘과 매체 공간의 인터랙티브 속성 연구
한국실내디자인학회 학술대회논문집
2009 .10
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-601-001170963