지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
It is not an exaggeration that Korea’s modern history has been a series of hardships by governmental power, which has tried to deprive citizens of right to speak. During the periods of president Yi, Soong－man’s dictatorship, the Korean War, and subsequent military dictatorship, social prohibition has dominated the life of people, and Korean people have been harassed by rigid censorship. Therefore, the situation of these times is referred to as ‘Social aphasia.’ However, for defector poets like Park, Nam －soo, defecting from North Korea was imposed as the additional condition of such oppression. Therefore, it would be truly difficult for Park, Namsoo to express the ugly society by pushing through the double burden which made poet silent. In this regard, the image of bird, created by Park, Namsoo was estimated to be a symbol for speaking the pain of people’s life in South Korea in a roundabout way.
Accordingly, we should not see Park, Nam－soo as a descendant of the modernist poets. In regard to the evaluation on the poems of Park, Namsoo, only his second poem collection, God’s Trash would be suitable for the poems of a modernist. The core concern of the Poet, Park, Nam－soo was regarding the embodiment of remaining scars due to the division of Korea. His lifetime’s work as a poet was to recover the life in his hometown, where his mother and grandmother was living under the name of beginning (始原). It is supposed that the poetic way of Park, Nam－soo based on the restrained language intended to control his overflowing nostalgia in his mind.
Accordingly, we should not see Park, Nam－soo as a descendant of the modernist poets. In regard to the evaluation on the poems of Park, Namsoo, only his second poem collection, God’s Trash would be suitable for the poems of a modernist. The core concern of the Poet, Park, Nam－soo was regarding the embodiment of remaining scars due to the division of Korea. His lifetime’s work as a poet was to recover the life in his hometown, where his mother and grandmother was living under the name of beginning (始原). It is supposed that the poetic way of Park, Nam－soo based on the restrained language intended to control his overflowing nostalgia in his mind.
목차
Ⅰ. 머리말
Ⅱ. 내려앉을 곳을 잃어버린 ‘새’의 운명
Ⅲ. ‘사회적 실어증’과 박남수의 시세계
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-811-000316629