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논문 기본 정보

자료유형
학술저널
저자정보
이희현 (관동대학교)
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제12권 제3호
발행연도
2010.9
수록면
105 - 119 (15page)

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초록· 키워드

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The style of costumes which dancers put on for dancing on a stage reflects the times, culture, and traditionality of movements in dancing. Accordingly, everyday dresses are adopted as the stage costumes in some cases and stage costumes lead the trend in other cases. Furthermore, like stage costumes in other genres, dancing costumes put more emphasis on expressive features in the functions of clothing unlike everyday dresses.
In particular, dancing costumes shall sufficiently and delicately express each movement using the costumes as well as rhythms and melodies of music for dance.
Ballet which is the representative western dance was derived from the world “Ballare” meaning “dance” in Italian. As shown in the change of word, ballet started in Italy. In Italy taking initiatives for all artistic activities in Europe as leading Renaissance in the 15th century, ballet started as the court dance and favored by French. Then, ballet flourished in France and was developed to the Romantic ballet in the 19th century. During the Renaissance, the early stage of ballet development the dancers put on the dresses which were in fashion at that time on the stage. The dancing costumes added the decorative features suitable for the characteristics of main actors or actresses and contents of dances to the dresses in fashion at relevant times in 17th and 18th century. “Panier”, the dancing costume in the 18th century, was sensationally popular among women.
As described above, the study on the features of dancing costumes by times not only arranges the costumes in each times but also investigates emotions and artistic and aesthetic values of those who lived in the relevant times. Furthermore, it is the way to experience the height of fantasy and beauty.

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Abstract
Ⅰ. 서론
Ⅱ. 15-16세기
Ⅲ. 17세기
Ⅳ. 18세기
Ⅴ. 19세기
Ⅵ. 결론
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