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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국의상디자인학회 한국의상디자인학회지 한국의상디자인학회지 제8권 제3호
발행연도
2006.12
수록면
59 - 71 (13page)

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초록· 키워드

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This study contemplates Croatian traditional costumes with focus on its geographical characteristics and acculturation with neighbor countries as a member of old Yugoslavian Union. Therefore, it contains the information from field works based on Croatian language, native costumes and folk materials wildly. Men usually wear wide linen pants (ga?e), shirt (ko?ulje, rubina), vest (lajbek), hat and jacket (kro?et). Also they sometimes wear scarves or aprons. Women put on blouse, long skirt, apron, headgear with various decoration and scarf (pe?a), shawl (tibetui robe) or necklace together. Croatian folk dresses fall into three different styles by provinces, such as Pannonia, Dinar and Adria, according to the basic environmental and racial characteristics of each province. People of Pannonia plain generally wear white linen clothing and often use flounce and lace, which are influenced by Serbia and Hungary. In the Dinar mountain province, aprons with tassel, knitted vests made of leather and fur are very popular. The clothing of Dinar province has much commonness with those of Bosnia - Herzegovina and Montenegro which have metal buttons and belts. And the clothing of Adria coast is influenced by Italy a lot. There are many splendid silk clothes in its folk dress code. As mentioned above, there are a lot of foreign influences in Croatian history. Although there were severe cultural invasions in many times through its history, Croatians didn't just surrender to these cultural influences. People in Croatia comply with these new coming culture and reconcile these into their own tradition and dress code in their own way.

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Abstract
Ⅰ. 서언
Ⅱ. 크로아티아 민속복식의 형성 배경
Ⅲ. 크로아티아 민속복식의 정착과정
Ⅳ. 크로아티아 민속복식의 기본형식
Ⅴ. 크로아티아의 지역별 복식
Ⅵ. 결언
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UCI(KEPA) : I410-ECN-0101-2012-592-004133482