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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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The purpose of this article is to analyze the aspects of power of masquerade in Jean Genet's Le Balcon (The Balcony) and Michel Oslot's Kirikou et la Sorciere (Kirikou and the Sorceress). In these works, a serious consideration of the correlation between the power and the public is reflected. The order of the dominators to which the oppressed have aspired - the government, the sacred functions, the administration, the army etc. - is revealed as a masquerade based on the role-playing in Le Balcon. As far as the oppressed could not make the creative idea, their revolt always results in failure. The revolt and the order are two roles in the same masquerade.
In a little village somewhere in Africa, a boy named Kirikou is born in Kirikou et la Sorciere. But he's not a normal boy because he knows what he wants very well. Also he already can speak and walk despite of his young age. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except one. Hence, little Kirikou decides that he will accompany the last warrior to the sorceress. Due to his innocence and wisdom, he reveals the natural shape of the sorceress' power as a mask.
These two works show how the power without reality is a fake image controls the unconsciousness of the public deeply. In conclusion, Jean Genet's Le Balcon and Michel Oslot's Kirikou et la Sorciere might be a remarkable study on the mentality of the public paralyzed by the interior oppression.
In a little village somewhere in Africa, a boy named Kirikou is born in Kirikou et la Sorciere. But he's not a normal boy because he knows what he wants very well. Also he already can speak and walk despite of his young age. His mother tells him how an evil sorceress has dried up their spring and devoured all males of the village except one. Hence, little Kirikou decides that he will accompany the last warrior to the sorceress. Due to his innocence and wisdom, he reveals the natural shape of the sorceress' power as a mask.
These two works show how the power without reality is a fake image controls the unconsciousness of the public deeply. In conclusion, Jean Genet's Le Balcon and Michel Oslot's Kirikou et la Sorciere might be a remarkable study on the mentality of the public paralyzed by the interior oppression.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고 문헌
참고문헌 (8)
참고문헌 신청
[학술지(정기간행물)] - Oslot, Michel / 1998 / Kirikou et la sorcière
[학술지(정기간행물)] - 배영달 / 2005 / 보드리야르와 시뮬라시옹
[학술지(정기간행물)] - by Anna Taraboletti-Segre / 1994 / One Hundred Years of Cinema Animation
[학술지(정기간행물)] - Robert S / 1964 / The Theatre of Revolt
[학술지(정기간행물)] - Cetta / 1974 / A Study of His Drama The University of Alabama Press
[학술지(정기간행물)] - 배영달 / 2005 / 보드리야르와 시뮬라시옹
[학술지(정기간행물)] - by Anna Taraboletti-Segre / 1994 / One Hundred Years of Cinema Animation
[학술지(정기간행물)] - Robert S / 1964 / The Theatre of Revolt
[학술지(정기간행물)] - Cetta / 1974 / A Study of His Drama The University of Alabama Press
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UCI(KEPA) : I410-ECN-0101-2012-705-003610063