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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2004.12
- 수록면
- 953 - 975 (23page)
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Hamlet is a prime source for citations in recent American films such as JFK (1991), Renaissance Man (1994), The Lion King Trilogy (1994, 1998, 2002) and Last Action Hero (1993). This paper explores the effect of such allusions and references from Hamlet and argues that Hamlet has also become a Emersonian symbol of the need for transforming one's thoughts into action in American films upholding white male heterosexism.
In JFK Hamlet becomes a child of a slain-father leader whose killers still possess the throne. The ghost of John F. Kennedy confronts the hero, Jim Garrison the secret murder at the heart of the American dreams. To transform the hero's thoughts into action the director perpetuates the mythologizing of white male patriarchy and the ongoing victimization of a latin homosexual. In doing so the director distorts Freudian Oedipus complex to promote his sexism as well.
Hamlet becomes an army training manual in Renaissance Man. The film's white male father-teacher seems to heal not only race and gender divisions but also neglected trash students and family violence through a universal text. However in film only stereotypes are confirmed and a backlash conservative fantasy erases the presence of black female student and strengthens misogyny by citing a bad rap version of Gertrude.
The Lion King Trilogy depicts Elizebethan World Picture as it is. In the Pride Land males are more prominent than females. Blatant racism is found throughout and homosexual issue of "don't ask, don't tell policy" is dominant. Shimba as Hamlet became an orthodox Elizabethan conservative positioning himself at the apex of The Great Chain of Being. By doing so Shimba finally produces "politics of spectacle" by appropriating queer culture as in Stuart court masques.
Finally Last Action Hero (1993) becomes a metacinema demonstrating that the great age of British Shakespearean actors are gone. Hamlet has become a symbol of an action hero in American popular films. As long as Americans define themselves as "wronged sons" who have Oedipus scar, Hamlet is not on the Death's list and thus plays the role of defending white male patriarchy as a Cameo.
In JFK Hamlet becomes a child of a slain-father leader whose killers still possess the throne. The ghost of John F. Kennedy confronts the hero, Jim Garrison the secret murder at the heart of the American dreams. To transform the hero's thoughts into action the director perpetuates the mythologizing of white male patriarchy and the ongoing victimization of a latin homosexual. In doing so the director distorts Freudian Oedipus complex to promote his sexism as well.
Hamlet becomes an army training manual in Renaissance Man. The film's white male father-teacher seems to heal not only race and gender divisions but also neglected trash students and family violence through a universal text. However in film only stereotypes are confirmed and a backlash conservative fantasy erases the presence of black female student and strengthens misogyny by citing a bad rap version of Gertrude.
The Lion King Trilogy depicts Elizebethan World Picture as it is. In the Pride Land males are more prominent than females. Blatant racism is found throughout and homosexual issue of "don't ask, don't tell policy" is dominant. Shimba as Hamlet became an orthodox Elizabethan conservative positioning himself at the apex of The Great Chain of Being. By doing so Shimba finally produces "politics of spectacle" by appropriating queer culture as in Stuart court masques.
Finally Last Action Hero (1993) becomes a metacinema demonstrating that the great age of British Shakespearean actors are gone. Hamlet has become a symbol of an action hero in American popular films. As long as Americans define themselves as "wronged sons" who have Oedipus scar, Hamlet is not on the Death's list and thus plays the role of defending white male patriarchy as a Cameo.
목차
Ⅰ. 〈JFK〉(JFK, 1991)
Ⅱ. 〈르네상스 맨〉(Renaissance Man, 1994)
Ⅲ. 〈라이온 킹〉(Lion King, 1994), 〈라이온 킹 Ⅱ : 심바의 자부심〉(Lion King Ⅱ : Shimba‘s Pride, 1998), 〈라이온 킹 Ⅲ : 하쿠나 마타타〉(Lion King 3 : Hakuna Matata, 2002)
Ⅳ. 결론 : 〈라스트 액션 히어로〉(Last Action Hero, 1993)
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