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- 학술저널
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- 2003.3
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The objective of this paper is to reconsider the critical valuation on The Rape of Lucrece which most critics have seen before and to suggest the other critical point focussed on the modes of dramatic narrative.
Until now this poetry has been studied and discussed as an artistic failure of Shakespeare because of the ambiguity that who really main character is and of the controversial suicide of Lucrece. And some suggested the irrelevance between the episode and expression of the characters in the poetry. But in the poetry we affirm that there are so many clues that Shakespeare shows his heart-felt sympathy for Lucrece. Clearly Shakespeare supports the medieval sublimity Lucrece revealed as is the case with Chaucer's Lucrece. Lucrece, considered by the poet's intention, is supposed to be the real heroine in the poetry. One by depreciating Tarquin with discrepancy between his honor and action and the other by giving sympathy for Lucrece' suicide Shakespeare intends to suggest clear moral message.
Some critics suggest that there are many disharmonized metaphors and expressions in the narratives of both characters. And many too long passages that do not show organic unity with the action are seen in the poetry. But if we reconsider the narrative modes in the poetry, we can endow this poetry with meaningful valuation. The Rape of Lucrece involves all types of narratives that are later to be seen in Shakespeare's dramatic works. This dramatic poetry, in some sense, can be called the experimental attempt that promises and guarantees Shakespeare's artistic development as a dramatist.
To begin with, the prosaic argument in the poetry gives us the cause and result of the action with poet's moral judgment, which is much similar to the introductory scenes or chorus in his dramas that show us the wide perspectives to understand the drama fully. The dialogue between both characters and their psychological debate and struggle associate with the soliloquy in the drama. Especially the Trojan picture scene, one of the most excellent episodes in the poetry, can be worked as an objective correlative of Lucrece' sorrow, which has the function as the play-within-the-play in Shakespeare's drama. And there are many self-reflexive scenes which are also found in his dramas revealed as an object of meta-dramatic concern.
Judging by the traditional criticism The Rape of Lucrece has been concerned the thematic interest, which results in the ironic reading of the poetry and leads to misunderstand its value. But we can reconsider the work in another perspective, there are room for positive understanding. This poetry, that's to say, as an experimental attempt, clearly involves all types of narrative modes Shakespeare's dramas have.
Until now this poetry has been studied and discussed as an artistic failure of Shakespeare because of the ambiguity that who really main character is and of the controversial suicide of Lucrece. And some suggested the irrelevance between the episode and expression of the characters in the poetry. But in the poetry we affirm that there are so many clues that Shakespeare shows his heart-felt sympathy for Lucrece. Clearly Shakespeare supports the medieval sublimity Lucrece revealed as is the case with Chaucer's Lucrece. Lucrece, considered by the poet's intention, is supposed to be the real heroine in the poetry. One by depreciating Tarquin with discrepancy between his honor and action and the other by giving sympathy for Lucrece' suicide Shakespeare intends to suggest clear moral message.
Some critics suggest that there are many disharmonized metaphors and expressions in the narratives of both characters. And many too long passages that do not show organic unity with the action are seen in the poetry. But if we reconsider the narrative modes in the poetry, we can endow this poetry with meaningful valuation. The Rape of Lucrece involves all types of narratives that are later to be seen in Shakespeare's dramatic works. This dramatic poetry, in some sense, can be called the experimental attempt that promises and guarantees Shakespeare's artistic development as a dramatist.
To begin with, the prosaic argument in the poetry gives us the cause and result of the action with poet's moral judgment, which is much similar to the introductory scenes or chorus in his dramas that show us the wide perspectives to understand the drama fully. The dialogue between both characters and their psychological debate and struggle associate with the soliloquy in the drama. Especially the Trojan picture scene, one of the most excellent episodes in the poetry, can be worked as an objective correlative of Lucrece' sorrow, which has the function as the play-within-the-play in Shakespeare's drama. And there are many self-reflexive scenes which are also found in his dramas revealed as an object of meta-dramatic concern.
Judging by the traditional criticism The Rape of Lucrece has been concerned the thematic interest, which results in the ironic reading of the poetry and leads to misunderstand its value. But we can reconsider the work in another perspective, there are room for positive understanding. This poetry, that's to say, as an experimental attempt, clearly involves all types of narrative modes Shakespeare's dramas have.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
인용 문헌
Abstract
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