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논문 기본 정보

자료유형
학술저널
저자정보
최윤정 (울산대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제52권 1호
발행연도
2010.2
수록면
127 - 144 (18page)

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초록· 키워드

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Wells’s representative social novel, Tono-Bungay(1908) unfolds the narrative of loss by representing death of the great era of the romance genre. Written and published in the middle of the heated battle of Edwardian Realists and Modernists over ideal novel writing, the novel does not show an alliance to either of these two grand movements in the early-20th century literary field. Instead, the narrative demonstrates the end of the romance genre in the age of Modernism. By chronicling the great days of “Tono-Bungay”(the patent fraudulent medicine) and its inventor Edward Ponderevo, George consciously criticizes the protagonist’s romantic dream to live like Napoleonic heroes and to realize the romance genre itself in his life. George perceives the romance genre as the main cause for Edward’s unrealistic ambition and his subsequent collapse, and also produces only false impressions of reality and misleads the reader. However, against the narrator’s intention, the narrative reveals his sense of loss, mainly caused by not only Edward’s but also his own failures in attempts to make their romantic dream come true in the modern world. In addition, George’s autobiographical record evinces that his disposition is originally romantic and he seeks for liberation from the harsh reality whose strict social system tries to prison him. Thus, his narrative consists of series of failed attempts to free from social systems. The narrative is heavily loaded with sense of loss: the end of the romantic dream and the romance genre.

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