지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The word 'Sonnim' condenses 'Sonnim mama'. In Korean folk, 'Sonnim' means smallpox. It indicates visiter from remote country and awful being. In Hwang Seek-Young's Novel, Sonnim indicates Marxism and Christian faith. Because of having that faiths, people struggled and killed each other in Korean War. That novel mutated forms of Jinoguygut and Sonnimgut what is folk performance of Korea. It had designed for representation of Sincheon massacre of innocent people, pacification and guidance their spirits to the other (next) world. Besides it prayed new history through the sacrifice of that miserable event.
Sonnim represented the invisible departed spirits as like live persons so that the departed spirits were included in reality. By accepting the form of Sonnim expanded the reality from the visible world to the invisible flexibly. This fact have made aware of that the conception 'reality' was determined not by literary convention by sociocultural context.
Sonnim grafted narrative form of novel genre on the form of Gut performance. Sonnim has taken the plot of Gut, 〈asking the got → contacting the got →playing the got → sending the got〉, and Sonnim's characters performed the roles of a messenger who takes a dead soul to the other world, the departed spirits, woman shaman. And it's theme was 'praying for blessing by removal disaster', that was the theme of Gut. Sonnim set socialism and christian faith up as disaster, therefore ethnic community became the object of blessing.
This novel blamed the western ideology, socialism and christian faith for Sincheon massacre. So That disregarded the responsibility, the social contexts and the political faiths of participants in that massacre. Sannim's acceptance of Gut's form resulted in emotional ethnic and postcolonial attitudes against the western modernity. But eventually that could move the reader' intention from the dead to lives and bless their new livings.
Sonnim represented the invisible departed spirits as like live persons so that the departed spirits were included in reality. By accepting the form of Sonnim expanded the reality from the visible world to the invisible flexibly. This fact have made aware of that the conception 'reality' was determined not by literary convention by sociocultural context.
Sonnim grafted narrative form of novel genre on the form of Gut performance. Sonnim has taken the plot of Gut, 〈asking the got → contacting the got →playing the got → sending the got〉, and Sonnim's characters performed the roles of a messenger who takes a dead soul to the other world, the departed spirits, woman shaman. And it's theme was 'praying for blessing by removal disaster', that was the theme of Gut. Sonnim set socialism and christian faith up as disaster, therefore ethnic community became the object of blessing.
This novel blamed the western ideology, socialism and christian faith for Sincheon massacre. So That disregarded the responsibility, the social contexts and the political faiths of participants in that massacre. Sannim's acceptance of Gut's form resulted in emotional ethnic and postcolonial attitudes against the western modernity. But eventually that could move the reader' intention from the dead to lives and bless their new livings.
목차
1. 서론
2. 굿과 『손님』의 서사 구조
3. 결론
〈참고 문헌〉
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UCI(KEPA) : I410-ECN-0101-2009-710-018492424