지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
HD is the future and we know this. We shoot in HD to 'future-proof' our footage, then we are down-converting to an SD master for the world to see; for at least workshop in film school. With the Digital HD I'd always recommend importing HD into your edit system and then do the down-converting there.
But now, the Digital HD can record in native HD/HDV 24P progressive and also records in 25P progressive to, in both 1280x720 and 1920x1080. What do this mean for the independent filmmakers and the low-budget workshop in film school? The native HD 24p and 25p progressive shooting modes go a long way to achieving the 'film look'. Admittedly, there are more to the film-look then shooting in progressive. There are lighting considerations, lenses and depth of field, not to mention a tone of post grading. But there are a few things about the Digital HD that will go a long way to producing film images like nothing ever before.
However, after looking long and hard into Digital HD already in place, We are about to change our lectures on film workshop. I believe the HD video system is what the world has been waiting for, because P2, EX3 and HD250U. Already, in several guidance college's cases, is utilizing 2K HD camera in practice education, and work system constructed too optimized latter half, or it is purchase schedule. Or, some college is going to take reluctance to get over in low-cost style HDV camera. If is education that utilize Digital HD practice system or any practice hardware, as discuss so far, in SD above zero unlike it practice education of movie medium category be need to. It is that principle of Digital HD esthetics must not be damaged nothing but is technological change in movie technology development.
But now, the Digital HD can record in native HD/HDV 24P progressive and also records in 25P progressive to, in both 1280x720 and 1920x1080. What do this mean for the independent filmmakers and the low-budget workshop in film school? The native HD 24p and 25p progressive shooting modes go a long way to achieving the 'film look'. Admittedly, there are more to the film-look then shooting in progressive. There are lighting considerations, lenses and depth of field, not to mention a tone of post grading. But there are a few things about the Digital HD that will go a long way to producing film images like nothing ever before.
However, after looking long and hard into Digital HD already in place, We are about to change our lectures on film workshop. I believe the HD video system is what the world has been waiting for, because P2, EX3 and HD250U. Already, in several guidance college's cases, is utilizing 2K HD camera in practice education, and work system constructed too optimized latter half, or it is purchase schedule. Or, some college is going to take reluctance to get over in low-cost style HDV camera. If is education that utilize Digital HD practice system or any practice hardware, as discuss so far, in SD above zero unlike it practice education of movie medium category be need to. It is that principle of Digital HD esthetics must not be damaged nothing but is technological change in movie technology development.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstracts
참고문헌 (0)
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