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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Feminist criticism began to be actually an important place in the history of American literature during the early 1970s. Feminists have insisted that patriarchy subordinates the female to the male and treats the female as inferior. That outlook is influenced directly or indirectly in both the civil and domestic life of stereotyping women's bondage.
Feminists critics take account of the fictional nature of literary texts and try to discover what women are defined and represented by patriarchy in those books, because their conscious literary values, and conventions have themselves been shaped by men. Therefore, they have attempted to abolish sexist ideology that produces stereotypes which "He is The One, She is The Other."
The purpose of this article is to study the feminism with the major plays of Tennessee Williams: A Streetcar Named Desire, The Night of the Iguana. In the plays, Tennessee Williams chose to feature women as major characters more often than men. This choice has enabled him to display his talent in his plays. Williams unusual shyness and femineity help him to identify himself with the female characters he creates. He has often exposed the oppressions of women in a male dominated society, and created female characters who are struggling desperately against the established patriarchy.
In A Streetcar Named Desire, even if Blanche was to strive mightily against Stanley, who symbolizes patriarchy, she couldn't confront the world of reality in a male dominated society. Therefore, she didn't overcome the limit of a male-oriented life and was destroyed by a patriarchal society. On the other side, The Night of the Iguana marked a turning point in Williams' works that reached the playwright's new attitudes concerning life, for he departed from raging pessimism to a kind of optimistic wisdom. Protagonist, Hannah, was an independent woman who had a necessary ability for living in a traditional and patriarchal society. As she didn't think of men as an enemy, she didn't cause complications with men. She pursued a harmonious relationship with women and men based on humanities. She shared a spiritual interchange with Shannon and Maxine from the viewpoint of the equality of the sexes. Finally, she redeemed Shannon, Maxine, and Nonno spiritually and with deep love.
In feminist criticism, Hannah breaks the traditional stereotyping of women and becomes an entirely self-existent and independent woman.
Feminists critics take account of the fictional nature of literary texts and try to discover what women are defined and represented by patriarchy in those books, because their conscious literary values, and conventions have themselves been shaped by men. Therefore, they have attempted to abolish sexist ideology that produces stereotypes which "He is The One, She is The Other."
The purpose of this article is to study the feminism with the major plays of Tennessee Williams: A Streetcar Named Desire, The Night of the Iguana. In the plays, Tennessee Williams chose to feature women as major characters more often than men. This choice has enabled him to display his talent in his plays. Williams unusual shyness and femineity help him to identify himself with the female characters he creates. He has often exposed the oppressions of women in a male dominated society, and created female characters who are struggling desperately against the established patriarchy.
In A Streetcar Named Desire, even if Blanche was to strive mightily against Stanley, who symbolizes patriarchy, she couldn't confront the world of reality in a male dominated society. Therefore, she didn't overcome the limit of a male-oriented life and was destroyed by a patriarchal society. On the other side, The Night of the Iguana marked a turning point in Williams' works that reached the playwright's new attitudes concerning life, for he departed from raging pessimism to a kind of optimistic wisdom. Protagonist, Hannah, was an independent woman who had a necessary ability for living in a traditional and patriarchal society. As she didn't think of men as an enemy, she didn't cause complications with men. She pursued a harmonious relationship with women and men based on humanities. She shared a spiritual interchange with Shannon and Maxine from the viewpoint of the equality of the sexes. Finally, she redeemed Shannon, Maxine, and Nonno spiritually and with deep love.
In feminist criticism, Hannah breaks the traditional stereotyping of women and becomes an entirely self-existent and independent woman.
목차
Ⅰ. 서론
Ⅱ. 윌리엄즈의 여성관
Ⅲ. 부권(父權)에의 도전
Ⅳ. 부권에의 승리
Ⅴ. 결론
〈Abstract〉
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