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In the development of Chinese literature, there seems to have been a great change in it during "Tang(唐)" dynasty. "Tang(唐)" dynasty, shaping the period of highly flourishing versification, has established the prosody of "Jintishi(近體詩)" since "Weijin Southern and Northern Dynasties(魏晉南北朝)" in the history of Chinese poetry. The prose of "Tang(唐)" dynasty which cleaned the vices of prevailing "Pianwen (騈文)" after "Six dynasty(六朝)" had had great effect on the prose literature of later periods in China including "Song(宋 )" and "Qing(淸)".
From the macroscopic point of view, "ZhungTang(中唐)" period could be said to be a turning point in the whole literature of "Tang(唐)" dynasty, because "Tang(唐)" dynasty literature got a transfiguration through the poetry and prose reform movement "Guwen yundong(古文運動)" and "Xinyuefu yundong(新樂府運動)" during this period. The formative years of "Guwen yundong(古文運動)" is approximately regarded as within "Dezong Zhenyuan(德宗貞元)" years, and that of "Xinyuefu yundong(新樂府運動)" is the early years of "XianzongYuanhe(憲宗元和)". It is very rare in the history of Chinese literature that two respective literature reform movements happened within a few years. "Yuanhe(元和)" years could be called a key to the literature of "Tang(唐)" dynasty for the ardent literary activities of the literati in these two movements. If so, what are the literary characteristics of that important "Yuanhe(元和)" poetry and prose writings? If we look into the literature of "Yuanhe(元和)" years with the emphasis on this matter, we can get better understanding of the place that "Yuanhe(元和)" literature took in the scene of "ZhungTang(中唐)" literature.
For many generations, various scholars have commented on the dispositions of the "Yuanhe(元和)" literature, and even major literary figures of "Yuanhe(元和)" literature such as "YuanZhenㆍBaijuyi(元?ㆍ白居易)" perceived that their own works came to be labelled as "Yuanhe(元和)" style. However, "Li zhao(李肇)" can be said to be a more important figure, who did not confine the "Yuanhe(元和)" style only to the "Yuan Bai(元.白)" poetry and prose and in consequence made the range of "Yuanhe(元和)" style broader. He is a contemporary of "Yuan Bai(元.白)". His works might possess great value as data of that period because he is said to be a representative of his contemporary literary men's view on "Yuanhe(元和)" poetry and prose for his interpretative comment on the changing process of poetry and prose in his time. Therefore, this thesis will look over the dispositions of "Yuanhe(元和)" literature that "Li zhao(李肇)" pictured himself.
In the historical aspect, from "AnShi rebellion(安史亂)" as a turning point of "Tang" dynasty to "Yuanhe(元和)" period. "Tang(唐)" dynasty suffered from extreme political corruption after the suppression of the rebellion through "SuㆍDaizong(肅ㆍ代)" eras. "Dezong(德宗)" in his early years strived hard to make a drastic reform on his country only to prove that "Tang(唐)" dynasty has declined. Nevertheless, "Yuanhe(元和)" period taking advantage of a series of political, social reform tendency set up the opening scene of "Yuanhe(元和)" literature reformation.
Alghough many commented on the newly developed aspects of "Yuanhe(元和)" literature in contrast to the that of earlier periods, this thesis explains the originating motive and the range of "Yuanhe(元和)" literature with the help of the definition of the "Yuanhe(元和)" style that "Yuan Bai(元.白)" and "Li zhao(李肇)" referred to above and "Huyinglin Yexie(胡應麟ㆍ葉燮)" in "Ming Qing(明ㆍ淸)" dynasty gave to the world.
Through the analysis of the works of writers above in defining the "Yuanhe(元和)" style, this thesis introduces the phase and features of "Yuanhe(元和)" style with newly created tendency in depth. Despite vices coming from the excessive emphasis on the reformation of literature. "Yuanhe(元和)" style took the definite place on the literature of "Tang(唐)" dynasty or "ZhungTang(中唐)" period for the endeavour of the various writers including those above.`
From the macroscopic point of view, "ZhungTang(中唐)" period could be said to be a turning point in the whole literature of "Tang(唐)" dynasty, because "Tang(唐)" dynasty literature got a transfiguration through the poetry and prose reform movement "Guwen yundong(古文運動)" and "Xinyuefu yundong(新樂府運動)" during this period. The formative years of "Guwen yundong(古文運動)" is approximately regarded as within "Dezong Zhenyuan(德宗貞元)" years, and that of "Xinyuefu yundong(新樂府運動)" is the early years of "XianzongYuanhe(憲宗元和)". It is very rare in the history of Chinese literature that two respective literature reform movements happened within a few years. "Yuanhe(元和)" years could be called a key to the literature of "Tang(唐)" dynasty for the ardent literary activities of the literati in these two movements. If so, what are the literary characteristics of that important "Yuanhe(元和)" poetry and prose writings? If we look into the literature of "Yuanhe(元和)" years with the emphasis on this matter, we can get better understanding of the place that "Yuanhe(元和)" literature took in the scene of "ZhungTang(中唐)" literature.
For many generations, various scholars have commented on the dispositions of the "Yuanhe(元和)" literature, and even major literary figures of "Yuanhe(元和)" literature such as "YuanZhenㆍBaijuyi(元?ㆍ白居易)" perceived that their own works came to be labelled as "Yuanhe(元和)" style. However, "Li zhao(李肇)" can be said to be a more important figure, who did not confine the "Yuanhe(元和)" style only to the "Yuan Bai(元.白)" poetry and prose and in consequence made the range of "Yuanhe(元和)" style broader. He is a contemporary of "Yuan Bai(元.白)". His works might possess great value as data of that period because he is said to be a representative of his contemporary literary men's view on "Yuanhe(元和)" poetry and prose for his interpretative comment on the changing process of poetry and prose in his time. Therefore, this thesis will look over the dispositions of "Yuanhe(元和)" literature that "Li zhao(李肇)" pictured himself.
In the historical aspect, from "AnShi rebellion(安史亂)" as a turning point of "Tang" dynasty to "Yuanhe(元和)" period. "Tang(唐)" dynasty suffered from extreme political corruption after the suppression of the rebellion through "SuㆍDaizong(肅ㆍ代)" eras. "Dezong(德宗)" in his early years strived hard to make a drastic reform on his country only to prove that "Tang(唐)" dynasty has declined. Nevertheless, "Yuanhe(元和)" period taking advantage of a series of political, social reform tendency set up the opening scene of "Yuanhe(元和)" literature reformation.
Alghough many commented on the newly developed aspects of "Yuanhe(元和)" literature in contrast to the that of earlier periods, this thesis explains the originating motive and the range of "Yuanhe(元和)" literature with the help of the definition of the "Yuanhe(元和)" style that "Yuan Bai(元.白)" and "Li zhao(李肇)" referred to above and "Huyinglin Yexie(胡應麟ㆍ葉燮)" in "Ming Qing(明ㆍ淸)" dynasty gave to the world.
Through the analysis of the works of writers above in defining the "Yuanhe(元和)" style, this thesis introduces the phase and features of "Yuanhe(元和)" style with newly created tendency in depth. Despite vices coming from the excessive emphasis on the reformation of literature. "Yuanhe(元和)" style took the definite place on the literature of "Tang(唐)" dynasty or "ZhungTang(中唐)" period for the endeavour of the various writers including those above.`
목차
一、 前言
二、 從安史之亂至貞元年間之時代背境
三、 元和體之成立及其含意
四、 李肇所論之「元和體」
五、 結語
參考書目
〈ABSTRACT〉
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