지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Arirang was originally a traditional song of country, but it entered into the city by professional singer in the later 19th centry. From this the song was popularized for a urbiculture. And after coming of the nineteen-thirty Arirang was composed with new musical genre which was introduced, or influenced from a foreign culture. Recently it has been composing over the almost all popular song of trot, dance, rock, ballard, hip-hap, etc.
Each age takes on a new cultural phase. So Arirang has been newly remaking and forming character according to the cultural phase of the times. For example, Afirang was originally sung by womenfolk, picking wild vegetables, and menfolk, gathering firewood in Chongson, yet it became a repertory of professional singer at the 19th centry Seoul. And Tohyun-Yun, popular singer of Korea, sang Arirang as a rooter’s song during 2002 World Cup in korea and Japan. As well SG Wannabe, also popsinger team of Korea, made Arirang the most popular ballad in 2007.
Arirang as a traditional song of country is the song through which the underprivileged expressed their emotion and hardship. In other words it is acted on instrument of speech by the underprivileged. This cultural character of Arirang is most intrinsic among the attributes of the song. A theme song of the movie Aairang made in 1926 preserved like that character. There are a lot of Arirang songs which are diffrent in appearance. However internally they have something in common, that we can say the genetic trait of Arirang. Therefore Arirang which womenfolk in Chongson sang, a rooter’s song Arirang of Tohyun-Yun, and a ballad Arirang of SG Wannabe that have common genetic character.
By the way Chongson is the most active region where Arirang has been handed down. So we can say that Chongson is a central root place of Arirang. Consequently we should pay attention to Chongson Arirang for study on the genetic character of all Arirang songs.
Each age takes on a new cultural phase. So Arirang has been newly remaking and forming character according to the cultural phase of the times. For example, Afirang was originally sung by womenfolk, picking wild vegetables, and menfolk, gathering firewood in Chongson, yet it became a repertory of professional singer at the 19th centry Seoul. And Tohyun-Yun, popular singer of Korea, sang Arirang as a rooter’s song during 2002 World Cup in korea and Japan. As well SG Wannabe, also popsinger team of Korea, made Arirang the most popular ballad in 2007.
Arirang as a traditional song of country is the song through which the underprivileged expressed their emotion and hardship. In other words it is acted on instrument of speech by the underprivileged. This cultural character of Arirang is most intrinsic among the attributes of the song. A theme song of the movie Aairang made in 1926 preserved like that character. There are a lot of Arirang songs which are diffrent in appearance. However internally they have something in common, that we can say the genetic trait of Arirang. Therefore Arirang which womenfolk in Chongson sang, a rooter’s song Arirang of Tohyun-Yun, and a ballad Arirang of SG Wannabe that have common genetic character.
By the way Chongson is the most active region where Arirang has been handed down. So we can say that Chongson is a central root place of Arirang. Consequently we should pay attention to Chongson Arirang for study on the genetic character of all Arirang songs.
목차
Ⅰ. 서론
Ⅱ. 아리랑의 노래명과 정선아라리의 개념
Ⅲ. 아라리의 민요생태와 장르적 특성
Ⅳ. 아라리의 문화적 성격과 아리랑의 노래사적 의미
Ⅴ. 결론
〈참고문헌〉
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