지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Bongjeongsa Temple(鳳停寺), located in Mount Cheondeungsan in Andong City, North Gyeongsang Province, is widely known as a prominently old Korean temple. However, with regard to the most basic matters of the temple’s history, including its establishment, characteristics of its Hall of Paradise(Geungnakjeon 極樂殿), and the Buddhist statues in the temple have not yet been deeply examined.
I recently investigated the method of making a wooden seated Avalokitesvara at Bongjeongsa Temple using the X-Ray equipment. In the process of studying related materials, I had a chance to examine the historical background on the foundation of the temple, its reconstruction, and the actual date of the seated image of Avalokitesvara Bodhisattva.
In this paper, the foundation of Bongjeongsa Temple and the characteristics of its Geungnakjeon Hall considered by examining various documents relevant to the temple, and the problem of the year when the seated Avalokitesvara was created will be discussed.
First, the founder of Bongjeongsa Temple was Priest Neungin(能仁) as recorded in the document written on ridge-beam of the building(sangryangmun上樑文). But due to the fact that he was a disciple of Uisang(義湘), a famous priest from the Unified Silla Dynasty in the late seventh century, a process could be observed in which the successive generations embellished the story and began to identify Uisang as the founder of the temple.
Second, the “prayer(願文)”on seated Avalokitesvara and the writings on the rectangular-shaped panel hung in the hall(hyeonpan 懸板) were examined, and some differences in the two records are noted. It seems that this was due to the difference in the purpose and the period of the writings. From that observation the Bodhisattva statue is supposed to have been made during the reign of Chengan(承安, 1196-1200).
Third, Hall of Paradise could be traced back to the Goryeo Dynasty, during which time it was used as a Buddhist temple, and then because the complete collection of all the sacred writings of Buddhism was placed there in the early Joseon Dynasty, it was called Great Hall of Sutras(Daejangjeon 大藏殿) until the late Joseon Dynasty. However, perhaps because the collection of sacred writings were scattered and lost in later generations, the hall was identified as Geuklakjeon Hall in the nineteenth century.
Fourth, a comprehensive overview of the documentary records shows that Bongjeongsa Temple carried out the construction of a large Buddhist temple for about a decade during the reign of King Gongmin(恭愍王, re. 1351-1374). It seems that the temple received patronage from the royal family due to the services it rendered during the time when King Gongmin had to take refuge in Andong, thus the major part of today’s Bongjeongsa Temple was established by renovating the old structures of the temple, including the construction of its main building.
I recently investigated the method of making a wooden seated Avalokitesvara at Bongjeongsa Temple using the X-Ray equipment. In the process of studying related materials, I had a chance to examine the historical background on the foundation of the temple, its reconstruction, and the actual date of the seated image of Avalokitesvara Bodhisattva.
In this paper, the foundation of Bongjeongsa Temple and the characteristics of its Geungnakjeon Hall considered by examining various documents relevant to the temple, and the problem of the year when the seated Avalokitesvara was created will be discussed.
First, the founder of Bongjeongsa Temple was Priest Neungin(能仁) as recorded in the document written on ridge-beam of the building(sangryangmun上樑文). But due to the fact that he was a disciple of Uisang(義湘), a famous priest from the Unified Silla Dynasty in the late seventh century, a process could be observed in which the successive generations embellished the story and began to identify Uisang as the founder of the temple.
Second, the “prayer(願文)”on seated Avalokitesvara and the writings on the rectangular-shaped panel hung in the hall(hyeonpan 懸板) were examined, and some differences in the two records are noted. It seems that this was due to the difference in the purpose and the period of the writings. From that observation the Bodhisattva statue is supposed to have been made during the reign of Chengan(承安, 1196-1200).
Third, Hall of Paradise could be traced back to the Goryeo Dynasty, during which time it was used as a Buddhist temple, and then because the complete collection of all the sacred writings of Buddhism was placed there in the early Joseon Dynasty, it was called Great Hall of Sutras(Daejangjeon 大藏殿) until the late Joseon Dynasty. However, perhaps because the collection of sacred writings were scattered and lost in later generations, the hall was identified as Geuklakjeon Hall in the nineteenth century.
Fourth, a comprehensive overview of the documentary records shows that Bongjeongsa Temple carried out the construction of a large Buddhist temple for about a decade during the reign of King Gongmin(恭愍王, re. 1351-1374). It seems that the temple received patronage from the royal family due to the services it rendered during the time when King Gongmin had to take refuge in Andong, thus the major part of today’s Bongjeongsa Temple was established by renovating the old structures of the temple, including the construction of its main building.
목차
머리말
1. 봉정사의 창건과 能仁
2. 의상 창건설의 발생
3. 봉정사 목조관음보살좌상의 조성시기
4. 극락전의 명칭
5. 공민왕대의 봉정사
맺음말
참고문헌
〈Abstract〉
참고문헌 (18)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
X선투과촬영장치를 이용한 목조불상의 제작기법 연구
미술사학연구(구 고고미술)
2007 .03
-
국내 사찰건축에서 나타나는 감성디자인의 자연적 유입에 관한 치유환경 특성 분석 - 공용공간을 중심으로 -
한국실내디자인학회 학술대회논문집
2019 .11
-
莊陸寺菩薩坐像과 그 腹藏發願文
미술사학연구(구 고고미술)
1975 .12
-
안양 中初寺址와 安養寺址의 유적 유물에 대한 考察
동악미술사학
2019 .01
-
고려시대 불교회화에 나타난 버들가지 도상의 고찰 : 고려시대 수월관음보살도의 버들가지 지물을 중심으로
미술문화연구
2017 .06
-
芬皇寺 伽藍配置推考
미술사학연구(구 고고미술)
1978 .03
-
18세기 승장 覺敏의 활동지역과 建築技法 연구
미술사학연구(구 고고미술)
2016 .12
-
Unexpected Light & Color : Temple "G" Design Analysis and Proposal
한국색채학회 학술대회
2007 .03
-
경주 지역 석탑에 부조된 팔부중상과 圖像本에 대한 試論
불교미술사학
2019 .01
-
고려 공민왕대 복식기록에 관한 연구
한복문화
2010 .04
-
예산 향천사 목조아미타삼존불좌상 연구
동악미술사학
2019 .01
-
仁川博物館藏 觀音坐像
미술사학연구(구 고고미술)
1960 .09
-
石佛寺 圖像考 : 華嚴佛身觀의 신라적 해석
미술사연구
2008 .12
-
선(禪)생태학관점에서 본 전통사찰의 공간조형개념 연구 : 조선시대 선(禪)적 특성이 두드러진 전각을 중심으로
한국실내디자인학회 논문집
2013 .12
-
송광사 감로암 봉안 목조관음보살좌상 복장 조사
동악미술사학
2020 .01
-
청주 비중리사지 석조불상 연구 : 조성 국가의 파악과 관련하여
미술사학연구(구 고고미술)
2016 .09
-
디지털콘텐츠 제작을 위한 전통문화원형의 캐릭터 분류 : 관음보살(觀音菩薩) 및 동자(童子)를 중심으로
만화애니메이션 연구
2012 .06
-
金銅觀音菩薩의 一資料
미술사학연구(구 고고미술)
1970 .03
이 논문의 저자 정보
이 논문과 함께 이용한 논문
韓國 現存 最古의 木造建築 鳳停寺 極樂殿 本形에 관한 연구 : 鳳停寺 極樂殿 修理工事報告書, 鳳停寺 極樂殿 修理·實測 報告書 및 鳳停寺 大雄殿 解體修理工事報告書 分析을 기반으로
주남철
대한건축학회 논문집 - 계획계
2012
.09
X선투과촬영장치를 이용한 목조불상의 제작기법 연구
林南壽
미술사학연구(구 고고미술)
2007
.03
도산서당의 조성과 퇴계의 공부론
황병기
안동학
2014
.12
고려 다포계 건축유구와 동시대 중국 목조건축의 비교고찰
裵秉宣
미술사연구
2011
.12
鳳停寺大雄殿의 舊材와 墨書銘
林泉
미술사학연구(구 고고미술)
1963
.02
최근 본 자료
댓글(0)
0