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자료유형
학술저널
저자정보
저널정보
동북아시아문화학회 동북아 문화연구 동북아 문화연구 제17집
발행연도
2008.12
수록면
457 - 476 (20page)

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초록· 키워드

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Chookojoyumoon including 〈Horyu-ji Main Hall Seokgabulkwangbaemyung〉 and 〈Horyu-ji Samjonbulkwangbaemyeong〉 shows a trial to approach to the sentences of its native language successively even though its basic form is the sentences of pure Chinese. It can be seen from a proper noun such as a person's name, the name of a place, the name of occupation, and so on which are the first stage of borrowing Chinese letters to transcribe into Japanese. After the stage, there are several stages from temporarily marking an expletive like prepositions and auxiliaries with Chinese to marking the part of Jeong Hun which means reading the Chinese original usage correctly. As the stated above, marking the part of a particle in classical Chinese has been assimilated and integrated into inscribing borrowed Chinese letters in order of precedence and it has had the position of a representative in temporary sound names. The names of temporary sound appearing in Chookojoyumoon are the first period of Manyupkamyeong and they were used as the representatives of variations of Manyupkamyeong in second and third period, so it could be found the traces in later generations, Hirakana and Katakana. Horyu-ji Main Hall Seokjabulkwangbaemyeong and Horyu-ji Samjonbulkwangbaemyeong, which are debated in this article, are not greatly contrary to the structure of pure Chinese sentences compared to other Chookojoyumoon. Chinese consonants such as 「?」「於」「于」「以」「者」 been developed from the function as a particle in classical Chinese, assimilated and integrated in to the second period of Manyupkamyeong, and then settled in the language. Also, it is notably considered that Chinese consonants like 「於」「于」「以」 are sound-borrowed letters used frequently in contemporary old folk songs.

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