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This study aims to analyze T. S. Eliot's poetry and plays with a view to bringing out the modem mystery elements which function in them both as a dramatic device and as a theme with religious connotations. While many critics including Frank Wilson and David Jones have written on the plays of T. S. Eliot, only some have discussed these elements, but their analyses are not enough.
Therefore, this study attempts to show how far Eliot uses the mystery elements to entertain the audience and at the same time to present his religious themes with an eye on the secular and rationalistic trend of the age. By employing the mystery elements Eliot had taken a significant step towards reviving religious mind in secular theater.
In conclusion, Eliot uses the mystery elements to his own purposes. He introduces mystery aspects into some poems of his, where these thriller elements play a basic role in developing his interest in detective stories. In Murder in the Cathedral and the subsequent plays the mystery elements impart greater dramatic interest to the religious themes. The insertion of the crime mystery into his works plays a key role in showing his interest in the popular culture. Murder in the Cathedral is a unique play not only because it is an example of a modem mystery play but also because it illustrates the combination of the religious and the secular, the high and the low, and more specifically the use of mystery elements for the exposition of a serious theme. The Family Reunion nearly completes the pattern of a story of crime and punishment ironically reminding of Dickens and Dostoevsky again which is finally transformed into the drama of sin and expiation. The mysterious guest and his companions in The Cocktail Party who remind of several mystery detectives are finally recognized as symbolic figures who help to unite the estranged couple and dispatch the protagonists on different paths of salvation. In The Confidential Clerk there is some real fun in the thriller type of pursuit and analysis of evidence to explore the identities of an unknown father, whose money was swindled away, and a "true" father who had some connections with the church. In The Elder Statesman Eliot shows consistency in the employment of mystery elements such as hidden "crimes", horror and fear of detection, the evidence, and confession of guilt.
Therefore, this study attempts to show how far Eliot uses the mystery elements to entertain the audience and at the same time to present his religious themes with an eye on the secular and rationalistic trend of the age. By employing the mystery elements Eliot had taken a significant step towards reviving religious mind in secular theater.
In conclusion, Eliot uses the mystery elements to his own purposes. He introduces mystery aspects into some poems of his, where these thriller elements play a basic role in developing his interest in detective stories. In Murder in the Cathedral and the subsequent plays the mystery elements impart greater dramatic interest to the religious themes. The insertion of the crime mystery into his works plays a key role in showing his interest in the popular culture. Murder in the Cathedral is a unique play not only because it is an example of a modem mystery play but also because it illustrates the combination of the religious and the secular, the high and the low, and more specifically the use of mystery elements for the exposition of a serious theme. The Family Reunion nearly completes the pattern of a story of crime and punishment ironically reminding of Dickens and Dostoevsky again which is finally transformed into the drama of sin and expiation. The mysterious guest and his companions in The Cocktail Party who remind of several mystery detectives are finally recognized as symbolic figures who help to unite the estranged couple and dispatch the protagonists on different paths of salvation. In The Confidential Clerk there is some real fun in the thriller type of pursuit and analysis of evidence to explore the identities of an unknown father, whose money was swindled away, and a "true" father who had some connections with the church. In The Elder Statesman Eliot shows consistency in the employment of mystery elements such as hidden "crimes", horror and fear of detection, the evidence, and confession of guilt.
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