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논문 기본 정보
- 자료유형
- 학술대회자료
- 저자정보
- 발행연도
- 2005.6
- 수록면
- 262 - 267 (6page)
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초록· 키워드
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Gaoxingjian(高行健), winner of the Nobel Prize in 2000, has been recognized as a writer of having a rich oriental color in his works' structure and content. In particular, the factors of Zen's thought in his works need to be emphasized.
His major work, Soul Mountain(靈山), which brought the decisive opportunity of the Nobel Prize depends on the correct view of zen's values.
This tendency also remains in the dramas which he has mostly written. Researchers considering his works to contain a new genre considered to be drama. Gaoxingjian's Snow in August(八月雪) is a work which most represents such a godlike feature.
In Snow in August, he modernly explains The Platform Sutra of the Sixth Patriarch(六祖壇經) a main scripture of Chinese Zen.
This study not only focus on contents and structural features of Snow in August, but also the differences between it and its original work, The Platform Sutra of the Sixth Patriach, especially. That is why his creative behavior is remarkable.
First of all, he seems to have chosen a method that adds his shadow to each character in shaping characters.
It is understood that he did not attempt to faithfully reproduce Huineng(慧能) who existed historically but himself through Huineng. On that basis, I analysed the story as follows:
Firstly, the image of Gaoxingjian is overlapped with that of Huineng. For example, when Huineng refused an invitation of the king, there is a scene of Xuejian(薛簡), a messenger, when he held a daggar, Huineng pushed his neck. Between Huineng and the king there had been a friendly relationship for a long time. But Gaoxingjian, which had experienced the dictatorship power of Maozedong(毛澤東), handled the relationship between Huineng and the king as hostile. It is thought that is why Gaoxingjian wanted to describe a free human. Secondly, the experience of Gaoxingjian is reflected on the shape of Wujincang(無盡藏). Wujincang is a Buddhist nun who put only her name on the original scripture. But Gaoxingjian gave Wujincang the role of the second heroine. Wujincang created by Gaoxingjian is a person of sorrow which can be understood by other men. It was what a great person like Huineng can not resolve. It might have been a meaningless thing to get to The Other Shore in such a situation. So to speak, it was a terribly demanding thing for Wujincang to lift women' restraint before his existential determination. Gaoxingjian experienced a compulsive control by the dictatorship power. He understood women's situation based on his experience. That is, women are always relativized by men as shunned by authority.
Thirdly, the world which the writer imagined is represented through zen Masters' shapes. In Snow in August, Graxingjian enjoys the interaction among zen Masters in a place. On the other hand, the place seems to be lively, but disorderly, noisy and meaningless. He understands it is the gods' world, the society which he dreamed of. That is, he wanted to show a society which is seemingly disorderly but very lively, reflecting each voice, It is difficult to look for such a world in modern china.
His major work, Soul Mountain(靈山), which brought the decisive opportunity of the Nobel Prize depends on the correct view of zen's values.
This tendency also remains in the dramas which he has mostly written. Researchers considering his works to contain a new genre considered to be drama. Gaoxingjian's Snow in August(八月雪) is a work which most represents such a godlike feature.
In Snow in August, he modernly explains The Platform Sutra of the Sixth Patriarch(六祖壇經) a main scripture of Chinese Zen.
This study not only focus on contents and structural features of Snow in August, but also the differences between it and its original work, The Platform Sutra of the Sixth Patriach, especially. That is why his creative behavior is remarkable.
First of all, he seems to have chosen a method that adds his shadow to each character in shaping characters.
It is understood that he did not attempt to faithfully reproduce Huineng(慧能) who existed historically but himself through Huineng. On that basis, I analysed the story as follows:
Firstly, the image of Gaoxingjian is overlapped with that of Huineng. For example, when Huineng refused an invitation of the king, there is a scene of Xuejian(薛簡), a messenger, when he held a daggar, Huineng pushed his neck. Between Huineng and the king there had been a friendly relationship for a long time. But Gaoxingjian, which had experienced the dictatorship power of Maozedong(毛澤東), handled the relationship between Huineng and the king as hostile. It is thought that is why Gaoxingjian wanted to describe a free human. Secondly, the experience of Gaoxingjian is reflected on the shape of Wujincang(無盡藏). Wujincang is a Buddhist nun who put only her name on the original scripture. But Gaoxingjian gave Wujincang the role of the second heroine. Wujincang created by Gaoxingjian is a person of sorrow which can be understood by other men. It was what a great person like Huineng can not resolve. It might have been a meaningless thing to get to The Other Shore in such a situation. So to speak, it was a terribly demanding thing for Wujincang to lift women' restraint before his existential determination. Gaoxingjian experienced a compulsive control by the dictatorship power. He understood women's situation based on his experience. That is, women are always relativized by men as shunned by authority.
Thirdly, the world which the writer imagined is represented through zen Masters' shapes. In Snow in August, Graxingjian enjoys the interaction among zen Masters in a place. On the other hand, the place seems to be lively, but disorderly, noisy and meaningless. He understands it is the gods' world, the society which he dreamed of. That is, he wanted to show a society which is seemingly disorderly but very lively, reflecting each voice, It is difficult to look for such a world in modern china.
목차
1. 서론
2. 慧能의 形象化
3. 無盡藏의 형상화
4. 禪師들의 形象化
5. 《八月雪》의 형식적 특징
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