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초록· 키워드
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In the early 20th century, at the crisis of separation and subversion of the traditional values, Russian modernist writers desired more eagerly than ever before for a unification. They took interest in folklore as an art model, which could unify different art forms and concepts successfully. Folklore had its origin in the fundamental viewpoint of ancient arts, which regarded seemingly contradictory concepts such as Heavenliness and Earthliness, Idealism and Realism, Nature and Mankind as integrated and unified. A number of modernists payed attention to the elements of folklore culture in spite of their different literature principles for the different, even opposing purposes.
The purpose of the paper is to make researches in the correlation between Modernism and Russian folklore. Each artist understood Folklore in his own way and there exist surprisingly diverse methods by which he reflected concrete genres of Folklore culture in his own works. In this paper we focused on a motive and a structure of vertep, a Russian puppet show, exposed in Vaginov's, in order to reveal the correlation between Modernism and Russian folklore more effectively. As a good example of Russian modernists' creative application of Folklore,『Goat-song(kozlinaia pesnia)』uses vertep and its interesting performance structure, in which a mystery drama and a secular drama are played respectively on the upper story and on the lower story of a stage. If 『Goat-song(kozlinaia pesnia)』is viewed from an angle of vertep, consisting of unique play forms such as confrontation, coexistence and reconciliation between a mystery drama and a secular drama, the structure and the deeper ideological level of this work, which has been considered just as an abstruse meta-fiction, would be revealed more clearly. Therefore we studied, above all, on Russian vertep, and then how vertep, a Folklore genre, was realized in a Vaginov's work.
We searched for a vertep's prototype and found out that it was not a mere puppet show but a mystery drama, symbolizing ancient gods' conquest over death. In the third chapter we concentrated on the correlation between 『Goat-song(kozlinaia pesniar)』and mythological poetics. As a result we came to the conclusion that 『Goat-song(koallnaia pesnia)』, having both" a coffin" and "a cradle", both "death" and "resurrection" in a vertep, has a multilayered semantic structure, namely, it keeps such an ambiguity on the one hand and expresses restlessness and scepticism about all of those concepts on the other, and such a structure was one of the most interesting images of vertep, created by the 20th century's Russian Modernism.
The purpose of the paper is to make researches in the correlation between Modernism and Russian folklore. Each artist understood Folklore in his own way and there exist surprisingly diverse methods by which he reflected concrete genres of Folklore culture in his own works. In this paper we focused on a motive and a structure of vertep, a Russian puppet show, exposed in Vaginov's, in order to reveal the correlation between Modernism and Russian folklore more effectively. As a good example of Russian modernists' creative application of Folklore,『Goat-song(kozlinaia pesnia)』uses vertep and its interesting performance structure, in which a mystery drama and a secular drama are played respectively on the upper story and on the lower story of a stage. If 『Goat-song(kozlinaia pesnia)』is viewed from an angle of vertep, consisting of unique play forms such as confrontation, coexistence and reconciliation between a mystery drama and a secular drama, the structure and the deeper ideological level of this work, which has been considered just as an abstruse meta-fiction, would be revealed more clearly. Therefore we studied, above all, on Russian vertep, and then how vertep, a Folklore genre, was realized in a Vaginov's work.
We searched for a vertep's prototype and found out that it was not a mere puppet show but a mystery drama, symbolizing ancient gods' conquest over death. In the third chapter we concentrated on the correlation between 『Goat-song(kozlinaia pesniar)』and mythological poetics. As a result we came to the conclusion that 『Goat-song(koallnaia pesnia)』, having both" a coffin" and "a cradle", both "death" and "resurrection" in a vertep, has a multilayered semantic structure, namely, it keeps such an ambiguity on the one hand and expresses restlessness and scepticism about all of those concepts on the other, and such a structure was one of the most interesting images of vertep, created by the 20th century's Russian Modernism.
목차
Ⅰ. 들어가며
Ⅱ. 합일의 모델로서의 베르쩹
Ⅲ. 『염소의 노래(Козлиная песнь)』와 베르쩹
Ⅳ. 맺으며
참고문헌
Abstract
참고문헌 (11)
참고문헌 신청
[학술지(정기간행물)] - 박종소 / 1998 / k. 바기노프의 소설 염소의 노래(Kozlinaia pesn')』 의 신화성 8 (2)
[학술지(정기간행물)] - / 1998 / k. 바기노프의 소설 염소의 노래(Kozlinaia pesn')』 의 신화성 8 (2)
[학술지(정기간행물)] - / 2001 / Bertepnyj teatr v russkoj traditsionnoj kul'ture
[학술지(정기간행물)] - Davidova, M. G / 2001 / Bertepnyj teatr v russkoj traditsionnoj kul'ture
[학술지(정기간행물)] - / 1997 / Poetika siuzheta i zhanra. M.
[학술지(정기간행물)] - / 1998 / k. 바기노프의 소설 염소의 노래(Kozlinaia pesn')』 의 신화성 8 (2)
[학술지(정기간행물)] - / 2001 / Bertepnyj teatr v russkoj traditsionnoj kul'ture
[학술지(정기간행물)] - Davidova, M. G / 2001 / Bertepnyj teatr v russkoj traditsionnoj kul'ture
[학술지(정기간행물)] - / 1997 / Poetika siuzheta i zhanra. M.
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