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커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper shows the practical dimension of the poetics in the 1960s. The nationalistic poetics based on 4ㆍ19revolution is representative of the practical poetics in the 1960s. Even though the nationalism and the cosmopolitanism are mutually exclusive, the nationalism is just as the politics on anti-colonialism and anti-imperialism. By this point of view, the practical dimension of the poetics in the 1960s has been studied.
The first chapter among five chapters of this paper expresses what the politics on war and revolution is. The politics on war was the source of 6ㆍ25war as the imperialistic world war, and the politics on revolution was the source of anti-imperialism and anti-fascism government in Korea. The Korean fascism government against the anti-communism was due to 6ㆍ25war.
The second chapter expresses the politics on the 4ㆍ19revolution poetry, which shows two kind of points. One point shows what about the poetry included the politics on war and revolution at once is, the other point shows what about the poetry included the politics on revolution for the nationalistic dimension is. These two kind of politics symbolize the post-war ethos in Korea these days as 1960s.
The third chapter expresses what the argument between the group of the art for art's sake and the practical group of the art for society's sake is. The practical group of the art for society's sake insisted that the literature was being for society's sake, but whether political ideology's sake or an's sake.
The forth chapter expresses the nationalistic poetics on KimSoo Young and SinDongYeop's poetry. SinDongYeop's poetry is composed of the proletarian nationalism, and KimSooyoung's poetry is composed of the existential nationalism. But nevertheless two poets's nationalism aimed at the practical dimension for the politics on cosmopolitanism.
On the conclusion, the last fifth chapter expresses the significance of nationalistic poetics as anti(or post)-colonialism and anti(or post)-imperialism, especially.
The first chapter among five chapters of this paper expresses what the politics on war and revolution is. The politics on war was the source of 6ㆍ25war as the imperialistic world war, and the politics on revolution was the source of anti-imperialism and anti-fascism government in Korea. The Korean fascism government against the anti-communism was due to 6ㆍ25war.
The second chapter expresses the politics on the 4ㆍ19revolution poetry, which shows two kind of points. One point shows what about the poetry included the politics on war and revolution at once is, the other point shows what about the poetry included the politics on revolution for the nationalistic dimension is. These two kind of politics symbolize the post-war ethos in Korea these days as 1960s.
The third chapter expresses what the argument between the group of the art for art's sake and the practical group of the art for society's sake is. The practical group of the art for society's sake insisted that the literature was being for society's sake, but whether political ideology's sake or an's sake.
The forth chapter expresses the nationalistic poetics on KimSoo Young and SinDongYeop's poetry. SinDongYeop's poetry is composed of the proletarian nationalism, and KimSooyoung's poetry is composed of the existential nationalism. But nevertheless two poets's nationalism aimed at the practical dimension for the politics on cosmopolitanism.
On the conclusion, the last fifth chapter expresses the significance of nationalistic poetics as anti(or post)-colonialism and anti(or post)-imperialism, especially.
목차
1. 서론 - 전쟁과 혁명의 정치성
2. 4ㆍ19혁명 시의 전쟁과 혁명의 정치성
3. 순수와 참여논쟁의 근대적 지평
4. 민족주의 시학의 근대적 지평
5. 결론 - 탈제국주의 담론으로서 민족주의 시학
참고문헌
Abstract
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