지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The white porcelain with inlay (象嵌白磁) of Joseon dynasty is a kind of white porcelain, which was made before the blue and white porcelain of Joseon dynasty (朝鮮靑畵白磁) as an influence of the style of Chinese ceramics. It was made at the latter part of 15th century and was regionalized, diminished and disappeared around 1470 that the branch official kiln (分院) as a division of Saongwon (司饔院: an official organization for royal food) was in Gwangju (廣州), Gyeonggi-do province (京畿道).
The 15th century is the time when the various kinds of ceramics became a single kind of white porcelain. In the late Goryeo dynasty buncheong ware (粉靑沙器) was made based on the traditional skills of celadon with inlay and Chinese ceramics were imported from China, Japan and Yu-gu (琉球). In these situation the white porcelain with inlay was made by mixing the Chinese ceramics with the traditional skills with inlay (象嵌技法).
The tradition of inlaying skills transmitted from Goryeo was made by scarfing the surface with the style and putting ocher day (?土) and pottery day (白土) in it whereas the Joseon white porcelain with inlay was made by scarfing the style first and then painting it with the iron black. This was the characteristic feature of the Joseon white porcelain with inlay.
There are five different kinds of styles which is divided by the type of the main design in white porcelain with inlay: scroll design (唐草文), modified scroll design (變形唐草文), separated branch design (折枝文), floral design with two lines (二重線草花文), dragon design (龍文), fish design (魚文) and many other designs. Scroll design type and modified scroll design type were made influenced by the ceramics of Chinese Yuan (元) dynasty. But we can also find out that these kind of expression is shown in the Joseonized skills with inlay that tried to imitate the skills of other countries.
Through these stages of acceptance, white porcelain with inlay has been developed and a certain kind of Korean style materials and ways of expressions came out. Separated branch design type began to show the mixture of tradition and imported factors and a more pictorial and realistic face. Floral design with two lines type is seen on white porcelain with inlay having fixed chronical data (絶對編年資料) and carved letter (銘文), the place where it was found is centered on Gyeonsang-do province (慶尙道) area and its quality is soft quality white porcelain (軟質白磁), different from the hard quality white porcelain (硬質白磁) made in Gwangju, Gyeonggi-do province. We can say that the time is when the white porcelain kilns was already been changed into official kilns (官窯) mainly producing the blue and white porcelain of Joseon Dynasty in Gwangju, Gyeonggi-do province.
The white porcelain with inlay of Joseon Dynasty exhibited and improved the Korean feature accepting the foreign factor and drafting it upon traditional technique in aspect of the shape, the material of design: the style of expressions had the position of a class as Joseon White Porcelain. Though white porcelain with inlay was on the decline and disappeared due to the mass production of blue and white porcelain, we can find its meaning in that it shows us the characteristics reflecting the tide of times, the conversion from celadon centered age to white porcelain centered age among the various ceramics appeared in the 15th century.
The 15th century is the time when the various kinds of ceramics became a single kind of white porcelain. In the late Goryeo dynasty buncheong ware (粉靑沙器) was made based on the traditional skills of celadon with inlay and Chinese ceramics were imported from China, Japan and Yu-gu (琉球). In these situation the white porcelain with inlay was made by mixing the Chinese ceramics with the traditional skills with inlay (象嵌技法).
The tradition of inlaying skills transmitted from Goryeo was made by scarfing the surface with the style and putting ocher day (?土) and pottery day (白土) in it whereas the Joseon white porcelain with inlay was made by scarfing the style first and then painting it with the iron black. This was the characteristic feature of the Joseon white porcelain with inlay.
There are five different kinds of styles which is divided by the type of the main design in white porcelain with inlay: scroll design (唐草文), modified scroll design (變形唐草文), separated branch design (折枝文), floral design with two lines (二重線草花文), dragon design (龍文), fish design (魚文) and many other designs. Scroll design type and modified scroll design type were made influenced by the ceramics of Chinese Yuan (元) dynasty. But we can also find out that these kind of expression is shown in the Joseonized skills with inlay that tried to imitate the skills of other countries.
Through these stages of acceptance, white porcelain with inlay has been developed and a certain kind of Korean style materials and ways of expressions came out. Separated branch design type began to show the mixture of tradition and imported factors and a more pictorial and realistic face. Floral design with two lines type is seen on white porcelain with inlay having fixed chronical data (絶對編年資料) and carved letter (銘文), the place where it was found is centered on Gyeonsang-do province (慶尙道) area and its quality is soft quality white porcelain (軟質白磁), different from the hard quality white porcelain (硬質白磁) made in Gwangju, Gyeonggi-do province. We can say that the time is when the white porcelain kilns was already been changed into official kilns (官窯) mainly producing the blue and white porcelain of Joseon Dynasty in Gwangju, Gyeonggi-do province.
The white porcelain with inlay of Joseon Dynasty exhibited and improved the Korean feature accepting the foreign factor and drafting it upon traditional technique in aspect of the shape, the material of design: the style of expressions had the position of a class as Joseon White Porcelain. Though white porcelain with inlay was on the decline and disappeared due to the mass production of blue and white porcelain, we can find its meaning in that it shows us the characteristics reflecting the tide of times, the conversion from celadon centered age to white porcelain centered age among the various ceramics appeared in the 15th century.
#15세기(15世紀, the 15th century)
#상감백자(象嵌白磁, white porcelain with inlay)
#청화백자(靑畵白磁, blue and white porcelain)
#분청사기(粉靑沙器, Buncheong ware)
#연질백자(軟質白磁, white porcelain with soft quality)
#관요(官窯, official kiln)
#경기도 광주(京畿道 廣州, Gwangju, Gyeonggi-do Province)
#경상도 산청(慶尙道 山淸, Sancheong, Gyeongsang-do Province)
#경상도 하동(慶尙道 河東, Hadong, Gyeongsang-do Province)
목차
Ⅰ. 머리말
Ⅱ. 象嵌白磁의 편년자료와 요지 출토품
Ⅲ. 象嵌白磁의 형식분석: 문양소재와 표현기법을 중심으로
Ⅳ. 象嵌白磁의 양식변천에 따른 편년고찰
Ⅴ. 맺음말
ABSTRACT
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
朝鮮前期 ‘軟質白磁’ 製作技術에 대한 科學的 硏究
미술사학
2006 .08
-
15세기 경기도 광주 백자의 성립과 발전
미술사학연구(구 고고미술)
2003 .03
-
朝鮮 15ㆍ16세기 靑畵白磁의 製作과 使用 : 문헌자료와 요지출토품을 중심으로
미술사학연구(구 고고미술)
2006 .09
-
조선시대 백자연구에서의 인식과 서술문제
미술사학
2007 .08
-
高麗 中期 輸入 中國白磁의 系統과 性格
미술사연구
2011 .12
-
관지 유형을 통해 본 조선 후기 백자의 외래 요소
미술사논단
2016 .06
-
조선 초기 명나라 청화백자의 유입과 수용 고찰
미술사학연구(구 고고미술)
2009 .12
-
조선중기 지방백자 연구
미술사연구
2007 .12
-
朝鮮 後期 陽刻白磁 硏究
미술사학연구(구 고고미술)
2009 .09
-
조선후기 상주 백자의 문헌적 일고찰
한국디자인포럼
2012 .01
-
高麗白磁의 硏究
미술사학연구(구 고고미술)
1986 .12
-
조선백자에 표현된 문양을 이용한 티셔츠 직물디자인 개발 : 18세기 청화백자를 중심으로
Archives of Design Research
2011 .08
-
조선 전기 공납용 백자제작에 따른 분청사기 양식변화
미술사학
2010 .08
-
조선 17세기 청화백자의 제작과 확산
미술사학연구(구 고고미술)
2019 .06
-
조선시대 관요 철화백자의 성격 변화
미술사연구
2011 .12
-
조선 전기 관요백자의 명문이 갖는 二元的 성격
미술사학연구(구 고고미술)
2016 .09
-
The poster design of 2016 exhibition about inheritance of lasting appeal of northern porcelains and innovative porcelain art
한국디자인학회 국제초대전도록
2016 .12
-
高麗時代 鐵畵瓷器의 成立과 展開
미술사논단
2004 .06
-
朝鮮時代 磁器製 誌石의 變化와 特徵
미술사학연구(구 고고미술)
2011 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-609-014719199