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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Consciously or unconsciously, the East and the West have been endlessly meeting and fusing. We live in the time when the epoch of Kipling’s false prophecy is already over and when the harmonious balance between East and West is, above all, important for the peaceful living of our human beings. From Emerson, we can learn the wisdom of equilibrium requisite for the modern times.
The pivotal doctrine of his Orientalism is Indian philosophy. Especially he is inspired from the Vedantic concept of Brahma, which is a Supreme God of Hinduism like a kind of Emerson’s Over-Soul or Universal Being. Unborn, changeless, eternal, and thus indescribable, it implies the enigmatic bipolarity of existence. Emerson doesn’t deny the absolute polarity. Therefore, as in “The Sphinx,” nature remains as much a mystery in the past as in the present.
We can obtain the harmonious and equilibratory insight into the world only as long as we can have a holistic point of view on it. All things in nature always, as in “Merlin II,” show the harmonious balance as a whole, as they pass silently away everyday as veiled figures of the eternities. The poet has once tasted “the immortal ichor” of nature and his “transparent eyeball” can see their perfectly tuneful beat of nature and make it a poem as “a new and transcendental whole.”
Emerson pursues the balance of the extremes through his spiritual metamorphosis. And in the process he shows the spirit of unity: man and nature, matter and mind, East and West and so on. It can be said that his “double consciousness” results from what Henry David Gray calls “a compromise between these two extremes” and from what F.O. Matthiessen says “a poise in attitude between the two extremes.”
The pivotal doctrine of his Orientalism is Indian philosophy. Especially he is inspired from the Vedantic concept of Brahma, which is a Supreme God of Hinduism like a kind of Emerson’s Over-Soul or Universal Being. Unborn, changeless, eternal, and thus indescribable, it implies the enigmatic bipolarity of existence. Emerson doesn’t deny the absolute polarity. Therefore, as in “The Sphinx,” nature remains as much a mystery in the past as in the present.
We can obtain the harmonious and equilibratory insight into the world only as long as we can have a holistic point of view on it. All things in nature always, as in “Merlin II,” show the harmonious balance as a whole, as they pass silently away everyday as veiled figures of the eternities. The poet has once tasted “the immortal ichor” of nature and his “transparent eyeball” can see their perfectly tuneful beat of nature and make it a poem as “a new and transcendental whole.”
Emerson pursues the balance of the extremes through his spiritual metamorphosis. And in the process he shows the spirit of unity: man and nature, matter and mind, East and West and so on. It can be said that his “double consciousness” results from what Henry David Gray calls “a compromise between these two extremes” and from what F.O. Matthiessen says “a poise in attitude between the two extremes.”
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