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초록· 키워드
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Korea, which have worship the sun in a cultural pattern of shamanism from ancient times, have keep its place of the white-clad folk in spite of the pressure on a culture from the outside and political changes that affected history. According to a overlooked historical record of the three Kingdoms saying that the holy place where Tangun, the founding father of the Korean nation picked up a lot was on the Baekak(a white wall), Taebak and they wore white clothes in a religious service for Tangun, anda history of the three Kingdoms saying that they regarded the white animals as a lucky omen and also according to the rite of performing are religious service to the heaven such as a Younggo of Puyoe, a Dongmaeng of Koguryo, a Moochon of Tongye and a October rite of Mahan, we may infer that they applied the white color cleaned as a natural color to the clothing, because the People in the period of the three kingdoms held white color sacred and preferred a white dress.
This culture of clothing preferring a white color continued to the period of Koryo which established I Buddhism as a state religion and so under adual structure of clothing in that period, while the clothes for an upper class were made of white cotton and rayon weaved with a delicacy, common people used to wear the white clothes as a natural color of raw fiber. Kim Won-Ryong in 'A History of Korean Art' says this convention of preferring white clothes results from a natural Korean custom that yearns for the nature excluding the artificial things and it is similar to the technique that the blue chinaware is added on with a white sand to hide its grayish blue color.
Moreover, the convention of preferring white clothes can be found from 'A law forbidding white clothes' in the literatures from the period of Koryo to Chosun, which stressed Korea of an eastern country which is in a phase of wood should use a blue color, because the feature that they used a white color which means a phase of western country implied that they were under the western control, based on a phenomenon of the negative and positive and the Five primary substance, and Korea which has a nature of wood was not suitable to the color of yellow, white and red. However, 'Pilwhajapgi' which likened the convention of preferring white clothes of Koryo to the natural phenomenon that was in conlpatable with but the nagative within the positive could be the proper example for a Koreans' attachment to the white clothes. In addition, it is a natural phenomenon that Koreans have worn a white clothes as a mourning dress compared to the blue clothes in the other countries because the white color is a symbol of integrity and simplicity, and the spirit of nation that regards a modest attitude as a virtue has made the common white clothes rather than gay attire. The labor of women for cleaning and bleaching due to the white clothes would be the indicator to their disposition and patience and white clothes express the nature of nation that integrity and innocence were a support of mind. And also, even under the Japanese rule, Korean showed the disapproval to the Japanese rule forbidding the white clothes due to its unpractical and uneconomical reason. In spit of the law forbidding white clothes due to the mental, economical, physical, and aesthetic reasons from the period of Koryo, the reason for Koreans have enjoyed white clothes is that a white color means innocence and a unifiednation as a mental element related to the taste of Korea, not as the convention of preferring white clothes explaining with the phenomenon of coincidence and temporary incident based on the negative views that express it to the reason such as a scarcity of dye and materials, poor technique of dying, an old custom of mourning dress and a lack o(awareness of color.
Therefore, the choice and treatment for color could be explained as a symbol that reflects the tradition and a national view of value generated through the historical flow of the nation by terms of a common taste or emotion to the color, starting from the intrinsic consciousness to beauty.
This culture of clothing preferring a white color continued to the period of Koryo which established I Buddhism as a state religion and so under adual structure of clothing in that period, while the clothes for an upper class were made of white cotton and rayon weaved with a delicacy, common people used to wear the white clothes as a natural color of raw fiber. Kim Won-Ryong in 'A History of Korean Art' says this convention of preferring white clothes results from a natural Korean custom that yearns for the nature excluding the artificial things and it is similar to the technique that the blue chinaware is added on with a white sand to hide its grayish blue color.
Moreover, the convention of preferring white clothes can be found from 'A law forbidding white clothes' in the literatures from the period of Koryo to Chosun, which stressed Korea of an eastern country which is in a phase of wood should use a blue color, because the feature that they used a white color which means a phase of western country implied that they were under the western control, based on a phenomenon of the negative and positive and the Five primary substance, and Korea which has a nature of wood was not suitable to the color of yellow, white and red. However, 'Pilwhajapgi' which likened the convention of preferring white clothes of Koryo to the natural phenomenon that was in conlpatable with but the nagative within the positive could be the proper example for a Koreans' attachment to the white clothes. In addition, it is a natural phenomenon that Koreans have worn a white clothes as a mourning dress compared to the blue clothes in the other countries because the white color is a symbol of integrity and simplicity, and the spirit of nation that regards a modest attitude as a virtue has made the common white clothes rather than gay attire. The labor of women for cleaning and bleaching due to the white clothes would be the indicator to their disposition and patience and white clothes express the nature of nation that integrity and innocence were a support of mind. And also, even under the Japanese rule, Korean showed the disapproval to the Japanese rule forbidding the white clothes due to its unpractical and uneconomical reason. In spit of the law forbidding white clothes due to the mental, economical, physical, and aesthetic reasons from the period of Koryo, the reason for Koreans have enjoyed white clothes is that a white color means innocence and a unifiednation as a mental element related to the taste of Korea, not as the convention of preferring white clothes explaining with the phenomenon of coincidence and temporary incident based on the negative views that express it to the reason such as a scarcity of dye and materials, poor technique of dying, an old custom of mourning dress and a lack o(awareness of color.
Therefore, the choice and treatment for color could be explained as a symbol that reflects the tradition and a national view of value generated through the historical flow of the nation by terms of a common taste or emotion to the color, starting from the intrinsic consciousness to beauty.
목차
Ⅰ. 머리말
Ⅱ. 한민족(韓民族)의 백의 풍속(白衣風俗)
Ⅲ. 중국의 백의 풍속(白衣風俗)
Ⅳ. 베트남의 백의풍속(白衣風俗)
Ⅴ. 결어
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