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The Change of Music Market in Digital Networking Society - From Exclusive possession to Public sharing
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디지털 네트워크 시대의 음악시장 변화 : 소유에서 향유로, 전유에서 공유로

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Type
Academic journal
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Journal
Korean Critical Sociological Association ECONOMY AND SOCIETY WN.72 KCI Excellent Accredited Journal
Published
2006.12
Pages
230 - 256 (29page)

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The Change of Music Market in Digital Networking Society - From Exclusive possession to Public sharing
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Research history (2)

2006

The Change of Music Market in Digital Networking Society - From Exclusive possession to Public sharing
Chang Mi-Hye ,  Lee Choong-Han ECONOMY AND SOCIETY 2006.12 Academic journal
디지털 네트워크 시대의 음악소비 : 소유에서 향유로, 전유에서 공유로
장미혜 ,  이충한 한국언론학회 학술대회 발표논문집 2006.06 Proceeding
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Abstract· Keywords

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Over the past decade, digital technologies have permeated the music industry. The Internet is bringing new key players and business models into the music industry. Technological advancements and emergence of industry standards is accelerating such changes. Music has been encoded in digital form and stored on CDs, laser discs, and digital versatile discs.
Recent technological innovations allow internet users to access and trade digital music files without paying those who have produced music. The new technologies are turning recorded music into a public good, since no one can be prevented from enjoying an inexhaustible supply of digital copies. With no costs of manufacturing, packaging, shipping, or retailing CDs, downloads can be offered at a marginal cost of virtually zero and can be enjoyed by music fans at the cost of just a few minutes of computer times. Internet music trading thus represents a tremendous potential efficiency gain in music distribution. And Web’s liberating potential by radically accelerating toward narrower market segmentation and more fine-grained product. The prevalence of technologies supporting specific industry standards also facilitates development of the new music distribution paradigms.
#인터넷 #음악산업의 변화 #전유 #공유 #Internet #change of music industry #exclusive possession #public ownership

Contents

1. 음악시장의 현황과 특성
2. 음악 생산ㆍ유통부문의 변화: 구시장과 신시장의 대립
3. 음악 소비 부문의 변화: 소유에서 향유로, 전유에서 공유로
4. 매개, 평가부문: 스스로 평가하고 매개하는 생비자들의 등장
5. 디지털 네트워크 시대 음악시장의 변화추세
6. 그렇다면 대안은 무엇인가?
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Abstract

References (16)

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1. [학술지(정기간행물)] - 김휴종 / 1997 / 한국 음반산업 연구 google schola 2. [학술지(정기간행물)] - 문화관광부 / 2005 / 2005 문화산업백서 google schola 3. [학술지(정기간행물)] - 신현준 / 2002 / 글로벌, 로컬, 한국의 음악산업 google schola 4. [학술지(정기간행물)] - 유승호 / 2005 / 디지털시대의 문화욕구와 라이프스타일 google schola 5. [학술지(정기간행물)] - 이규화 / 2004 / IT산업 발전은 음악산업에 위기인가 기회인가 google schola

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