지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Tom Stoppard's recent play Arcadia(1993), which has been hailed by many as the most brilliant and fascinating play he has ever written, is both a story of two young researchers in the present to find out what really happened in Sidley Park in the year 1809, and an intellectual discourse about a number of scientific, mathematical and philosophical arguments. Unlike his earlier Jumpers(1972) or Travesties(1976), Arcadia not only plays with perplexing ideas but also engages the audience in warm emotion.
One of the most outstanding features of the play is the author's technique of displaying contrasting time, ideas and characters on the stage. We are in two time-frames: 1809, when the age of Enlightenment was giving way to the age of Romanticism, when the Byronic escapade might or might not have happened, and 1993, when two contrasting characters, Hannah Jarvis and Bernard Nightingale, come to Sidley Park for their research. The contrasting ideas discussed in the play are: Newtonian determinism vs. free will, Classicism vs. Romanticism, order vs. disorder, science vs. art, intellect vs. emotion, intellectual desire vs. sexual desire, true history vs. imagined past, and so on.
Stoppard tries to deal with so many ideas such as Chaos theory, the second law of thermodynamics, entropy, Newtonian physics, etc. in a play that the result seems to be chaos itself. Nevertheless, as there is a pattern in the chaotic world, so is there an order in this chaotic play. Stoppard shows us that though the world seems to be fragmentary and chaotic what is at work is the human ambition for knowledge. This chaotic world of Arcadia is Stoppard's brilliant metaphor for the postmodern world which is neither too gloomy nor highly promising, our world of "room temperature."
One of the most outstanding features of the play is the author's technique of displaying contrasting time, ideas and characters on the stage. We are in two time-frames: 1809, when the age of Enlightenment was giving way to the age of Romanticism, when the Byronic escapade might or might not have happened, and 1993, when two contrasting characters, Hannah Jarvis and Bernard Nightingale, come to Sidley Park for their research. The contrasting ideas discussed in the play are: Newtonian determinism vs. free will, Classicism vs. Romanticism, order vs. disorder, science vs. art, intellect vs. emotion, intellectual desire vs. sexual desire, true history vs. imagined past, and so on.
Stoppard tries to deal with so many ideas such as Chaos theory, the second law of thermodynamics, entropy, Newtonian physics, etc. in a play that the result seems to be chaos itself. Nevertheless, as there is a pattern in the chaotic world, so is there an order in this chaotic play. Stoppard shows us that though the world seems to be fragmentary and chaotic what is at work is the human ambition for knowledge. This chaotic world of Arcadia is Stoppard's brilliant metaphor for the postmodern world which is neither too gloomy nor highly promising, our world of "room temperature."
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
『아카디아』에 나타난 스토파드의 세계관
영어영문학연구
2007 .01
-
과학 토론극으로서의 Arcadia
현대영미드라마
2003 .12
-
스토파드의 셰익스피어 다시 쓰기/읽기
영어영문학연구
2006 .01
-
Tom Stoppard의 The Real Thing에 나타난 실제와 허구의 대비
인문학연구
2006 .02
-
James Joyce Vindicated in Tom Stoppard's Travesties
현대영미드라마
2007 .12
-
“재의 바다에 나타난 질서의 섬” : 톰 스토파드의 Arcadia와 카오스 이론
현대영미드라마
2013 .12
-
톰 스토파드의 메타드라마와 극적 재현의 문제 : The Real Thing의 경우
현대영미드라마
2003 .08
-
Tom Stoppard의 Hapgood : 스파이 스릴러와 양자역학의 결합
현대영미드라마
2001 .04
-
Tom Stoppard의 Hapgood과 포스트뉴튼적 인식론의 가능성
현대영미드라마
1999 .11
-
Textual and Verbal Playfulness in Stoppard's Travesties : Mise-en-abyme as a Foregrounding Device
현대영미드라마
2011 .04
-
스토파드 초기 극의 역사적 맥락 분석 : 60년대 70년대 영국 연극 동향과 비교하여
현대영미드라마
2012 .12
-
톰 스토파드의 동구권 소재 극작품에 나타난 정치성과 연극적 형상화
현대영미드라마
2012 .12
-
Against Radical Revolutionaries : The Treatment of Lenin and Tzara in Tom Stoppard's Travesties
현대영미드라마
2004 .04
-
The Ethico-Philosophical Debate in Tom Stoppard’s Jumpers
현대영미드라마
2016 .04
-
톰 스토파드의 ‘사이’ 공간의 무대 미학: 『로젠크란츠와 길던스턴은 죽었다』를 중심으로
영어영문학연구
2007 .01
-
『진짜 사랑이란?』: 해체의 미학
신영어영문학
2004 .08
-
Polyphonic Re-telling of Russian Thinkers in Stoppard's Voyage
현대영미드라마
2009 .08
-
톰 스토파드의 『점퍼스』에서 드러나는 애매성의 문제
새한영어영문학
2016 .02
-
Mise-en-abyme in Stoppard's Travesties
새한영어영문학회 학술발표회 논문집
2010 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2009-842-015563896