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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 1999.2
- 수록면
- 177 - 198 (22page)
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A poet of the booming industrial British empire of the early nineteenth century, George Byron revolutionized the voice of the poet from the voice of the Parnassian Muses to the voice of the "pedestrian Muses." With a view to tracing the emergence of these new Muses in Byron, this paper intends to provide a reading of some of his writings directly dealing with his experience of Luddism, the first organized large-scale factory workers’ movement since the Industrial Revolution. Detailed analysis includes his Senatorial speech against the Frame-Breaking Bill(1812), “The Curse of Minerva”(1811), “An Ode to the Framers of the Frame Bill”(1812), “Song for the Luddites”(1816) and some of his letters.
Byron shares with other Romantic poets the task to articulate the experience of the industrializing society in literary discourse, but parts from them in that he tends toward literary materialism, never returning to the transcendental Romantic Imagination. His diagnosis of, as well as his remedy for, the contemporary illness inseparably remains on the social level, focusing on the political and economic causes resulting in the “material” poverty of the working class. Another main purport of this paper lies in elaborating his radical concept of revolution promoting the change in the physical channel of production and distribution. It is concluded that Byron’s radicality in discourse can be reached only when the reader penetrates into his various performative devices, such as current metaphors, discursive masks, witty and ironic rhetoric of subversion, fluctuating tones, etc.
Byron shares with other Romantic poets the task to articulate the experience of the industrializing society in literary discourse, but parts from them in that he tends toward literary materialism, never returning to the transcendental Romantic Imagination. His diagnosis of, as well as his remedy for, the contemporary illness inseparably remains on the social level, focusing on the political and economic causes resulting in the “material” poverty of the working class. Another main purport of this paper lies in elaborating his radical concept of revolution promoting the change in the physical channel of production and distribution. It is concluded that Byron’s radicality in discourse can be reached only when the reader penetrates into his various performative devices, such as current metaphors, discursive masks, witty and ironic rhetoric of subversion, fluctuating tones, etc.
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