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초록· 키워드
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The characteristics of the Korean festivals nowadays seem to be going through some changes. For decades, local festivals have been the most prominent form of Korean festivals. Yet nowadays festivals specifically dedicated to either traditional themes & characteristics or modern traits & qualities are being planned, staged and established. Actually local festivals were a product of generic regional occasions, and became a rather sterile fashion first under the Japanese imperial ruling and later under the dictatorship of the martial governments. There were no cultural identity or traditions underlying these occasions. Those local festivals were usually a carbon copy of the Japanese festival-type occasions, and only served as an occasion for shallow entertainment.
But after the implementation of the governmental policy supporting local autonomous administrations, festivals began to be utilized as a method of establishing and also advertising the identity of a particular region. The themes of these festivals are also becoming much more focused, and are also managing to effectively advertise the symbols and images of the local cultural aspects. Themes are successfully derived from the very history and culture of those regions, and while they are solidly based upon traditional properties, they are also modified in forms and contents so that the ordinary modern city slickers can enjoy themselves as well. There are also commercial industries involved to stage and manage those kinds of festivals.
Local festivals without any cultural identities are becoming obsolete, and are being replaced by traditional festivals demonstrating the power of popular folklore culture or urban festivals with distinctively entertaining modern values. The former festivals could be turned into valuable forms of tourist attraction resources, and with a little help from projects of Cultural Contents development the latter festivals could also be developed as modern occasions with commercial potentials and cultural education aptly merged together.
But after the implementation of the governmental policy supporting local autonomous administrations, festivals began to be utilized as a method of establishing and also advertising the identity of a particular region. The themes of these festivals are also becoming much more focused, and are also managing to effectively advertise the symbols and images of the local cultural aspects. Themes are successfully derived from the very history and culture of those regions, and while they are solidly based upon traditional properties, they are also modified in forms and contents so that the ordinary modern city slickers can enjoy themselves as well. There are also commercial industries involved to stage and manage those kinds of festivals.
Local festivals without any cultural identities are becoming obsolete, and are being replaced by traditional festivals demonstrating the power of popular folklore culture or urban festivals with distinctively entertaining modern values. The former festivals could be turned into valuable forms of tourist attraction resources, and with a little help from projects of Cultural Contents development the latter festivals could also be developed as modern occasions with commercial potentials and cultural education aptly merged together.
목차
1. 머리말
2. 우리나라 지역축제의 역사와 문제점
3. 지역축제의 변화와 추이
4. 전통축제ㆍ향토축제ㆍ현대축제
5. 지역축제의 자원화와 산업화
6. 마을굿 원리의 현대적 계승
7. 맺음말
Abstract
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UCI(KEPA) : I410-ECN-0101-2009-001-015149760