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자료유형
학술저널
저자정보
저널정보
아시아민족조형학회 아시아민족조형학보 아시아민족조형학보 통권 제1집(창간호)
발행연도
2000.5
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15 - 32 (18page)

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I divided Korean handicraftsmen's systems into three different parts Ancient times, GyoYeo Dynasty and Chosun Dynasty.
In the era of The United Shilla Kingdom, the government accepted Dang's handicraftsmen's system and it became altered into Shllla stule
The government also founded many offices which were in charge of managing handicraftsmens and handicraft goods Under the United Shllla Kingdom, the system was passed on to the GyoYeo Dynasty and it was further developed
Factories which were run by the government were built in GaeGyoung and its outskirts Whey Bang consisted of "So" where professional handicraftsmen belonged and temples where many artisans belonged There were also many handicraftsmen who belonged to the government and made art crafts according to the needs of the Royal Family and the government. As we can see in geum so, eun so, dong so, chul so and Ja myoung so, there were professional handicrafstmen's groups called "So". During the Jo Sun Dynasty, low-ranked people and naturalized people became handicraftsmen. Most of them were from Hyang, So, Boo Gok during King SeJong's 16th year in power he supplied handicraftsmen from middle-low class people. Most skillful handicraftsmen groups who belonged to Kyoung Gong Jang made military weapons as well as high-class ornaments The handicraftsmen who belonged to Whey Gong Jang made raw material goods which were half completed and some military goods according to the needs of local governments. During the Jo Sun Dynasty, handicraftsmen jobs were subdivided and specialized In order to settle our traditional art crafts culture into our modern lives, we should show interest in our traditional culture and use it in our every day lives Thus, we have to study to get our lost skills back and further develop them by adding creativity and modern senses. By studying those skills in universities, we will be able to integrate out traditional culture with today's lifestyle.

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Abstract

Ⅰ. 한국 고대의 工匠制度

Ⅱ. 한국 공예의 전승

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